25. April 2018 Johannes Wolters

How We Killed The Green Screen

But, green screen is a great tool, right? Not for one filmmaker.

Watch the story of why and how @MichaelPlescia tried to reinvent filmmaking, visual effects and co-found a company in order to make his feature film even a possibility.

See how the story vision for The Mop Liberator lead to the creation of a technology that is allowing the filmmakers to photograph an imagined cyberpunk world in-camera without any post-production using ARwall, a visual effects compositing technology that combines new mixed-reality screens along with the oldest (and maybe best) trick in the filmmaking book.

This piece delves into the inception, development process, and shows the production test footage of the first ever real-time, in-camera, real-light, real-lens, perspective-adapting, mixed-reality, rear-screen, compositing technique.

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