PUSS IN BOOTS: THE LAST WISH | World Cup: Weston McKennie & Puss In Boots
Puss In Boots: The Last Wish – Only In Theaters this Christmas This holiday season, everyone’s favorite leche-loving, swashbuckling, fear-defying feline returns. For the first time in more than a decade, DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll.
Unreal Futures | Careers in Animation | Unreal Engine
Everyone from Netflix to Sony Pictures Imageworks is building real-time animation into their pipelines—and loving what they’ve found. When instant feedback is on the table, teams can completely rethink how—and when—work gets done, ushering in a shift that is already starting to remap the industry.
WHOOF! Hey Duggee wins Pre-school Animation | BAFTA Children & Young People Awards 2022
The team behind Hey Duggee whoof on stage as they bring home the win for Pre-school Animation at the BAFTA Children & Young People Awards 2022.
https://www.bafta.org/cyp2022-Winners
HEY DUGGEE Grant Orchard, Sander Jones, Janine Voong – Studio AKA, BBC Studios Kids & Family/CBeebies
Laika, Hillsboro, Oregon [USA] sucht….
Join the LAIKA team! We are looking for an RP Production Manager. Visit our Career Page to apply: https://lnkd.in/gd5qAGpw
Bluey wins International at the BAFTA Children & Young People Awards 2022
https://www.bafta.org/cyp2022-Winners
The Australian show Bluey wins in the International category at the BAFTA Children & Young People Awards 2022.
Sheffield, UK: Red Star sucht…
Whilst we eagerly wait for Sky Cinema to release THE AMAZING MAURICE (in just 15 days!) we’re looking for UK-based LIGHTING AND COMP ARTISTS to work on our next project – a charming stop-motion style BBC Christmas Special for 2023 for Magic Light Pictures.
Apply at https://lnkd.in/ebK8BWZY
#jobs #animation #recruitment #lighting #compositing #redstar3d
The Film Engine: What UE5 does for Hollywood | Unreal Fest 2022
Real-time production isn’t theoretical anymore; it’s changing how films are produced. Learn what Unreal Engine 5 adds to the equation, as we explore new workflows, the open lane guiding cross-platform IP, and why Blueprint scripting is a great way to keep directors smiling.
Kilkenny, Ireland: Lighthouse Studios suchen…
Are you working in the animation industry and looking for your next adventure?
Well, you may have just found it!
Our studio is hiring for several different positions across two of our upcoming productions. We are looking for:
✔️ Production Managers
✔️ Layout Artists
✔️ Background Artists
✔️ 2D Animators
These roles are all based in our studio in Kilkenny, which means you’ll get to hang out with all your super-talented colleagues in a building which resembles a mythical castle – seriously it’s gorgeous. It also means we are not looking for freelancers or remote workers at the moment, but if you fall into this category then do keep an eye on our jobs board in the future.
To read more about these roles and to apply, please check out https://lnkd.in/gJCUkkVk
❗ Please note, one of the productions is intended for a 16+ audience. There are occasional references to adult themes and language that some may find offensive. If you do not wish to apply for this production, you can still apply for the other production.
#productionmanager #layoutartist #backgroundartist #animator #newrole
„The Snail and The Whale“ wins Animation + Max Lang and Daniel Snaddon win Director | BAFTA Children & Young People Awards 2022
The Snail and the Whale’s Max Lang and Daniel Snaddon bring home the win in the director category at the 2022 Children and Young People Awards 2022.
Täglich einen Kurzen: „G’day“ by Michael Gracey (2022) | Official Film | Tourism Australia
From the country that brought you the Sydney Opera House, the world’s best coffee and wombats, comes this year’s most anticipated release: G’day, the short film.
When they meet in a gift shop on The Great Barrier Reef, souvenir kangaroo Ruby (Rose Byrne) and toy unicorn Louie (Will Arnett) form an unlikely friendship. Watch as Ruby takes Louie on an amazing adventure around Australia, visiting iconic sites, including Melbourne’s laneways and stunning natural landscapes such as Nitmiluk Gorge. They’ll discover new experiences, connect with Indigenous cultures, and, along the way, learn the true meaning of an Aussie welcome.
With lighting by the Aussie Sun, set design by the Land Down Under, and produced in association with ridiculously friendly locals, G’day, the short film will have you convinced there’s nothing like Australia.
Directed by Michael Gracey
Starring Rose Byrne, Will Arnett Featuring Nakkiah Lui, Hamish Blake, and Andy Lee
Adventskalender 2022: THE GIFT | Disney Christmas Advert 2022 | Disney UK
Introducing the 2022 #DisneyChristmasAd:
‚The Gift‘ ✨ In the final chapter of #FromOurFamilyToYours, Nicole and her family are preparing to welcome a special new addition… but not everyone is ready for things to change. This heart-warming story celebrates the magic and joy of family, festive traditions and creating new memories. We hope you enjoy this special Christmas video, From Our Family to Yours.
Since the launch of ‘From Our Family To Yours’ in 2020, Disney will have committed support worth more than $4m to its long-standing charity partner, Make-A-Wish® International and its network of Affiliates around the world, as part of Disney’s ongoing commitment to inspire a better world through the power of storytelling. To learn more, please visit www.thewaltdisneycompany.eu/fromourfamilytoyours.
‘A Little More’ will be available to download from 2 November 2022.
‘A Little More’ is performed by Jessica Darrow, and written by Parkwild, Sofia Quinn and Rose Tan
Unreal Futures | Careers in Animation | Exploring Careers | Unreal Engine
Everyone from Netflix to Sony Pictures Imageworks is starting to use real-time animation in a major way. Learn what studios look for in new hires as real-time artists from Disney and Reel FX explore some of the different career paths available to an Unreal Engine animator.
