THE 9TH QUIRINO AWARDS TO BE HELD IN TENERIFE ANNOUNCE THIS YEAR’S NOMINEES

▪    A total of 27 works from seven countries will compete for the top award in Ibero-American animation.
▪    The announcement took place in São Paulo, asserting the Ibero-American nature of the Quirino Awards.
▪    The awards ceremony will be held on April 17 in Tenerife, with the main sponsorship of the Tenerife Council through Tenerife Tourism and the Tenerife Film Commission.

São Paulo, March 5, 2026. – A total of 27 works from seven countries will compete in the ninth Ibero-American Animation Quirino Awards, with the winners to be announced on April 17 at a ceremony in Santa Cruz de Tenerife, Spain. The nominees were announced at the Cervantes Institute in São Paulo, Brazil, thus confirming the Ibero-American nature of the Quirino Awards and their mission to bring the different countries in the region together around this industry. Created in 2018 with the aim of promoting animation from the 23 countries of the Ibero-American region, the Quirino Awards are mainly sponsored by the Tenerife Council through Tenerife Tourism and the Tenerife Film Commission.

Selected from 265 entries, the nominated works are in the running for awards in one of seven main categories—Feature Film, Series, Short Film, School Short Film, Commissioned Film, Video Game Animation, and Music Video—as well as in one or more of the three technical categories: Visual Development, Animation Design, and Sound Design and Original Music.

https://premiosquirino.org/en/nominations-2026/

Spain and Portugal top the list of nominees with 11 and 7 works, respectively, confirming the current success of animation in the Iberian Peninsula. Across the Atlantic, Argentina and Brazil lead the Latin American representation with 6 and 4 titles, respectively, followed by Colombia and Mexico with 2 works each, and Chile with one.

Four films will compete for the Best Feature Film award, including two Spanish entries: “Decorado,” the fourth film by Galician director Alberto Vázquez, an existential satire freely adapted from the short film of the same name, which won the Quirino Award for Best Short Film in 2018; and “Olivia and the Invisible Earthquake” by Irene Iborra, a stop-motion animated drama starring a 12-year-old girl who, after the collapse of her family world, must rebuild herself and face the emotional earthquakes that shake her world. Also competing in this category is the Brazilian film “Heart of Darkness,” Rogério Nunes’ debut feature film, which is presented as a reinterpretation of Joseph Conrad’s “Heart of Darkness” set in a futuristic Rio de Janeiro; and “I am Frankelda” by Arturo and Roy Ambriz, the first Mexican stop-motion feature film, which attracted more than 800,000 viewers in theaters across the country. The Ambriz brothers are already familiar faces at the Quirino Awards, where they won the Best Series award for “Frankelda’s Book of Spooks” in 2022.

Among the nominees for Best Series are the Brazilian series “Tainá and the Amazon’s Guardian” directed by Natália Freitas, which won this award in 2020 and is aiming to repeat the feat with its second season, and the Spanish series “Pocoyó” by Guillermo García Carsí, which is competing with its sixth season after being a finalist in the first edition of the Awards. The selection also includes Colombia’s “There Is Something Behind You” by Julián Gómez Reyes, starring a cunning and enigmatic black cat that guides the viewer through different mystery stories; and Mexico’s “Women Wearing Shoulder Pads” by Gonzalo Córdova, a stop-motion comedy for adult audiences set in Quito in the 1980s.

Institutions, professionals and associations attending the reading of nominations in São Paulo for the 2026 Quirino Awards.

Portuguese animation stands out in the Best Short Film category with two titles: “Because Today Is Saturday” by Alice Eça Guimarães, selected at fifty festivals, and “Dog Alone,” whose director Marta Reis Andrade transforms a personal experience into a magical realism fable about loneliness and family reconnection. The list of nominees is completed by the Spanish short “The Quinta’s Ghost” by James A. Castillo, a horror film that evokes the isolation and inner demons of Goya in his later years; and the Argentine “Luz Diabla,” a psychological thriller co-directed by Gervasio Canda, Paula Boffo, and Patricio Plaza that delves into the Argentine pampas, which are riddled with disturbing supernatural forces.

“There Is Something Behind You” , “Women Wearing Shoulder Pads” , “Pocoyó”, and “Tainá and the Amazon’s Guardian”.

Also announced at the event were the nominees in the categories of Animation School Short Film, Animation Music Video, Animation Commissioned Film, Video Game Animation, and the three technical categories: Visual Development, Animation Design, and Sound Design and Original Music. The complete list of nominees can be found at this link.

The international jury responsible for selecting the winners is made up of Brazilian animator, director, and producer Cesar Cabral, winner of the Quirino Award for Best Feature Film in 2022 with “Bob Cuspe – Nós Não Gostamos de Gente”; Irish Moe Honan, Founder and CEO of Moetion Films; Filipino Marlyn Montano, CEO of PlayLab Animation Studio and TeamApp; Colombian-American Martha Sepúlveda, Senior Development Executive at CAKE Entertainment; and Croatian Krešimir Zubčić, Supervisor of Acquisitions and Animated Content Programming at HRT.

Brazil, a Driving Force Behind Ibero-American Animation
Streamed live across the region, the announcement of the nominees took place in São Paulo at an event attended by Lope Afonso, Vice President and Tourism Advisor to the Tenerife Council, as well as representatives from Ibero-American embassies in Brazil, cultural institutions and organizations, and leading industry professionals, among others.

Brazilian animation was the central theme of a professional meeting held after the announcement of the nominees, attended by representatives from public institutions and production companies across the country. Silvina Cornillón and José Luis Farias, Director and Executive Producer of the Awards, respectively, gave a presentation on the Quirino ecosystem, the Ibero-American cooperation platform which, in addition to the Awards, promotes three industry initiatives: the Co-production and Business Forum, Quirino Lab, and the Quirino Futures Lab.

This was followed by a special session of Quirino Futures Lab, the collective intelligence space focused on strategic analysis of the future of Ibero-American animation. The discussion focused on the current state of the industry in Brazil and addressed the main challenges and opportunities for co-production with Ibero-American countries as a whole. Consultant Alessandra Meleiro presented the 2nd Mapping of Animation in Brazil, a study conducted by Iniciativa Cultural that provides an updated overview of the animation industry in the country.

The program concluded with a round table discussion moderated by César Cabral, with the participation of Rosa Crescente (TV Cultura), Adriana Pinto (ABCA), Camila Nunes (Abranima), Daniel Tonacci (ANCINE), and Lucas Soussumi (Brazilian Content). The discussion examined the current state of co-productions between Brazil and the rest of Ibero-America, as well as the main opportunities and challenges for regional integration in the industry.

The conclusions of the Quirino Futures Lab in Brazil will be compiled in a document that will serve as input for future sessions of this initiative, which was launched last year during the Quirino Awards.

About the Quirino Awards

Regarded as the most comprehensive ecosystem for Ibero-American animation, Quirino has been working since 2018 to build sustainable professional networks that create long-term economic and cultural value. It began as an Ibero-American animation awards ceremony and later became a strategic platform that integrates the Quirino Awards with an industry area structured around three key initiatives: the Co-Production and Business Forum, the Quirino Lab, and the Futures Lab. Since its inception, Quirino relies on the main sponsorship of the Tenerife Council through Tenerife Tourism and the Tenerife Film Commission.

https://premiosquirino.org/en/jurado-2026/

The ninth edition of the Premios Quirino is primarily sponsored by the Cabildo de Tenerife through Turismo de Tenerife and the Tenerife Film Commission, with additional sponsorship from Proexca, ICEX España Exportación e Inversiones, ICAA, Zona Especial Canaria, and main collaboration from RTVE, TEA (Tenerife Espacio de las Artes) and Welaw. It also receives support from institutions such as Acción Cultural Española (AC/E) through its Programme for the Internationalisation of Spanish Culture (PICE), Fundación Ortega Marañón, CAACI, Programa Ibermedia, OEI, La Liga de la Animación Iberoamericana, DIBOOS, and the Clúster Audiovisual de Canarias, as well as associations of Ibero-American animation creators and production companies.

Cartoon Movie 2026 • Discover the winners of the Cartoon Movie Tributes!

©CARTOON – from left to right – Producer of the Year: A. Chef, A-L. Guégan, A. Degyse & S. Onomo for „Allah is not obliged“ – Distributor of the Year: E. Chevalier (Les Films du Préeau – FR) – Director of the Year: R. Memari for „The Last Whale Singer“

CARTOON MOVIE TRIBUTES WINNERS ANNOUNCED IN BORDEAUX

European animation celebrates its latest achievements at Cartoon Movie, the pitching and co-production forum dedicated to European animated features, which concludes its 28th edition today in Bordeaux. Voted by the industry professionals attending the event, the Cartoon Tributes recognise the companies and individuals whose work has made a significant impact on the European animation industry over the previous year.

Cartoon Movie Tributes 2026 winners:

  • Producer of the Year: Special Touch Studios (France) / Paul Thiltges Distributions Luxembourg) / Lunanime (Belgium) / Need Productions (Belgium) / Yzanakio (Canada) for “Allah Is Not Obliged”.

  • Distributor of the Year: Les Films du Préau (France).

  • Director of the Year: Reza Memari for “The Last Whale Singer” (Germany).

The Producer of the Year prize went to France’s Special Touch Studios, Luxembourg’s Paul Thiltges Distributions, Belgium’s Lunanime & Need Productions, and Canada’s Yzanakio for “Allah Is Not Obliged”, Zaven Najjar’s feature debut. Starring a Guinean orphan forced to become a child soldier, the film was presented in development at Cartoon Movie 2018, had its world premiere at the Annecy Film Festival, and was released in cinemas across France on March 4.

Meanwhile, the Distributor of the Year award went to Paris-based Les Films du Préau, an independent film distribution company focused on high-quality films for young audiences. Founded in 2000 by Emmanuelle Chevalier and Marie-Agnès Bourillon, the company boasts a diverse catalogue of more than 200 titles, including “Living Large”, “The Gruffalo” and “Petite Casbah”.

The Director of the Year award was presented to Reza Memari for “The Last Whale Singer”, his second feature after “Richard the Stork”. An animated fantasy for family audiences, the film follows Vincent, the orphaned son of the last Whale Singer, who must overcome his fears and discover his own voice to help save the oceans. Presented at Cartoon Movie at different stages – from concept in 2018 to development in 2020 and production in 2025 – Memari’s new work is a co-production between Germany, the Czech Republic and Canada that has already been sold in more than 30 international territories.

Also among the nominees were Folimage, Les Armateurs, Lunanime, Auvergne-Rhône-Alpes Cinéma, Will Production, JPL Films, Dragons Films, Pictanovo and TNZPV Productions for “The Songbirds’ Secret”; Gringo Films, Fabrique d’Images, Senator Film Produktion and Traumhaus Studios for “Stitch Head”; and MAUR film, Vivement Lundi !, Artichoke and ZVVIKS for “Tales from the Magic Garden” in the Producer of the Year category. In the Director of the Year category, the nominees were Irene Iborra Rizo for “Olivia and the Invisible Earthquake”, Maïlys Vallade and Liane-Cho Han for “Little Amélie or the Character of Rain”, and Ugo Bienvenu for “Arco”. For Distributor of the Year, the nominees were Flins y Pinículas (Spain) and Kino Mediteran (Croatia).

About Cartoon Movie

Since its first edition in 1999, 513 films have been financially supported by Cartoon Movie with a total budget of €3,42 billion. Organised by CARTOON, Cartoon Movie is an annual forum aimed at strengthening the production and distribution of animated feature films in Europe. The event has the support of Creative Europe – MEDIA, CNC (Centre national du cinéma et de l’image animée), Région Nouvelle-Aquitaine, Bordeaux Métropole, Magelis, Creative industries hub in Angoulême, and France Télévisions.
CARTOON – European Association of Animation Film is an international non-profit association based in Brussels that organises Cartoon Movie, together with Cartoon Forum, a co-production forum for animated TV series, and the training seminars CartoonNext, Cartoon Springboard, and Cartoon Business.

CARTOON Director: Annick Maes

Cartoon Movie 2026 • Discover the winner of the Eurimages Co-development Award!

The jury highly appreciates the originality of this film’s storytelling, inspired by the director’s experience working with children and their curiosity about the natural world. The jury loves the joyful humor and fantasy of this project as well as its innovative animation production technique which brings its unique handmade characters to life.

More information on the Eurimages website.

ABOUT CARTOON MOVIE

Since its first edition in 1999, 510 films have been financially supported by Cartoon Movie with a total budget of €3.4 billion. Organised by CARTOON, Cartoon Movie is an annual forum aimed at strengthening the production and distribution of animated feature films in Europe. The event has the support of Creative Europe – MEDIA, CNC (Centre national du cinéma et de l’image animée), Région Nouvelle-Aquitaine, Bordeaux Métropole, Magelis, Creatvie industries hub in Angoulême and France Télévisions.

CARTOON – European Association of Animation Film is an international non-profit association based in Brussels that organises Cartoon Movie, together with Cartoon Forum, a co-production forum for animated TV series, and the training seminars CartoonNext, Cartoon Springboard, and Cartoon Business.

Trailer: Spiked Out | Walter Lapin – French Premiere on March 25th

Well this is very exciting. Also tres excitant! The French trailer for Spiked is out. Aka Walter Lapin!

French Premiere on March 25th.

Jules de Jongh and I wrote this wonderful film for Fabrique d‚Images and KAPERS ANIMATION LIMITED. You’ll laugh, you’ll cry. You’ll want a toy alligator. Enjoy the trailer here and passez un excellent moment au cinéma et n’oubliez pas d’emmener les enfants. Big shout out to the director who worked her magic to pull many rabbits out of this hat, Caroline Origer. Bravo!

David Freedman

 

Zootopia 2 | The Heart of the Cinematic Phenomenon

Disney’s Zootopia 2, winner of the BAFTA for Best Animated Film, is now an Academy Award Nominee for Best Animated Feature. Zootopia 2 is “one of Disney Animation’s greatest achievements of the 21st century.” – The Hollywood Handle After cracking the biggest case in Zootopia’s history, rookie cops Judy Hopps (voice of Ginnifer Goodwin) and Nick Wilde (voice of Jason Bateman) find their partnership isn’t as solid as they thought when Chief Bogo (voice of Idris Elba) orders them to join the Partners in Crisis counseling program. 

But it doesn’t take long for their partnership to be put to the ultimate test when they find themselves on the twisting trail of a mystery tied to the arrival of a venomous snake in the animal metropolis. While “Zootopia 2” introduces Gary De’Snake (voice of Ke Huy Quan), Nibbles (voice of Fortune Feimster) and quokka therapist Dr. Fuzzby (voice of Quinta Brunson), the upcoming feature film also welcomes back a herd of characters who made their debut in the Oscar®-winning film “Zootopia.” “It’s been an absolute joy to reteam with so many actors who made the first film so special, and so exciting to expand the world with our phenomenal new cast members,” said director/writer Jared Bush (chief creative officer for Walt Disney Animation Studios). “I can’t wait for audiences to see what other surprises we have in store in this brand-new adventure.”

Ars Electronica 2026: Press Conference Annual and Festival Theme | Monday, March 2, 2026, at 9:00/11:15 am (CET), live from the Deep Space 8K at the Ars Electronica Center

From September 9 to 13, 2026, Linz will once again be the venue for the Ars Electronica Festival, which this time will turn the city center into a stage for art, technology, and society.

As part of the festival, the Ars Electronica Center will also celebrate its 30th anniversary and present new exhibitions to mark the occasion.

The thematic focus of the Ars Electronica Year 2026, the central locations and content highlights of the festival, and the anniversary plans of the Ars Electronica Center will be presented by Veronika Liebl (Managing Director of the Ars Electronica Festival), and Gerfried Stocker (Artistic Director of Ars Electronica) during a press conference on Monday, March 2, 2026, at 9:00 am (CET), live from the Deep Space 8K at the Ars Electronica Center.

https://ars.electronica.art/festival/de/

German Version below:

Von 9. bis 13. September 2026 wird Linz wieder zum Schauplatz des Ars Electronica Festival, das diesmal die Innenstadt zur Bühne für Kunst, Technologie und Gesellschaft macht. Im Rahmen des Festivals feiert zudem das Ars Electronica Center sein 30-jähriges Bestehen und präsentiert aus diesem Anlass neue Ausstellungen. Den thematischen Schwerpunkt des Ars Electronica-Jahres 2026, die zentralen Locations und inhaltlichen Akzente des Festivals sowie die Jubiläumspläne des Ars Electronica Center präsentieren Dietmar Prammer (Bürgermeister der Stadt Linz und Eigentümervertreter Ars Electronica), Doris Lang-Mayerhofer (Kulturstadträtin und Beiratsvorsitzende Ars Electronica), Veronika Liebl (Managing Director Ars Electronica Festival) und Gerfried Stocker (Artistic Director Ars Electronica) gemeinsam mit Elgin Drda (Vizerektorin für Medizin der Johannes Kepler Universität Linz), Brigitte Hütter (Rektorin Kunstuniversität Linz), Manfred Mandl-Kiblböck (Kaufmännischer Geschäftsführer OÖ Landes-Kultur GmbH), Hermann Schneider (Intendant des Landestheaters Linz) und Norbert Trawöger (Künstlerischer Direktor Brucknerhaus / LIVA) im Rahmen eines Pressegesprächs am Montag, 2. März 2026, um 11:15 Uhr, im Deep Space 8K des Ars Electronica Center.

Täglich einen Kurzen: „Gorillaz – The Mountain, The Moon Cave and The Sad God“

The Mountain, The Moon Cave and The Sad God.

Sequence Director Jonathan Djob Nkondo

Producer Eva Dahlqvist

Art Director Eido Hayashi

Production Manager Michaela Dede

Animation Lead Xavier Ramonède

Assistant Animation Lead Seterah Erfan

Compositing Lead Freddie Lewis-wall

https://store.gorillaz.com/de/gorillaz/the-mountain-boxset-edition/0199538697650.html?srsltid=AfmBOorCtt6I9Zuv78fZrXqI2H22CGihc0yWgiTs-EDnux8lzIrOQjS2 Read more

98th Oscars: Visual Effects | Meet The Nominees

Visual Effects combines incredible artistry and technical mastery, and nowhere is that more evident than in the work of this year’s Best Visual Effects Oscar nominees. Meet and learn from the filmmakers who pushed creative and technological boundaries and crafted immersive worlds and spectacles in this year’s Oscar-nominated films.

VISUAL EFFECTS NOMINEES

AVATAR: FIRE AND ASH

Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

F1

Ryan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson

JURASSIC WORLD REBIRTH

David Vickery, Stephen Aplin, Charmaine Chan and Neil Corbould

THE LOST BUS

Charlie Noble, David Zaretti, Russell Bowen and Brandon K. McLaughlin

SINNERS

Michael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean

Visual Effects Society Announces Winners for 24th Annual VES Awards: Avatar: Fire and Ash’ leads the night with seven wins; ‘KPop Demon Hunters’ tops animation categories

Los Angeles (February 25, 2026)

Tonight the Visual Effects Society (VES), the VFX industry’s professional global honorary society, held its 24th Annual VES Awards at The Beverly Hilton hotel in Los Angeles, California.

Encompassing 25 categories across film, television, technology, gaming, special venue, student projects, and more, the night’s biggest winner was Avatar: Fire and Ash, which took home seven awards in total, including the top prize of Outstanding Visual Effects in a Photoreal Feature. Additional wins for Avatar: Fire and Ash included Outstanding Character in a Photoreal Feature for Varang (played by Oona Chaplin, who was on hand at tonight’s awards as a presenter), Outstanding CG Cinematography, and the Emerging Technology Award, given to the Kora Fire Toolset.

In the animation categories, KPop Demon Hunters led the night with three awards, including the top prize of Outstanding Animation in an Animated Feature, and Outstanding Character in an Animated Feature for Rumi. Rounding out the top category wins, Sinners won the award for Outstanding Supporting Visual Effects in a Photoreal Feature, Prehistoric Planet: Ice Age won for Outstanding Visual Effects in a Photoreal Episode, and BMW’s Heart of Joy: Meet Okto the Octopus won for Outstanding Visual Effects in a Commercial.

Additional winners at the 24th Annual VES Awards included the video game Ghost of Yōtei (Outstanding Visual Arts in a Real-Time Project), Andor (Outstanding Special (Practical) Effects in a Photoreal Project), and Azimuth (Outstanding Visual Effects in a Student Project). This year’s VES Awards hosts were comedy duo Randy and Jason Sklar (the Sklar Brothers), returning to this role for the second consecutive year. Acclaimed film producer Jerry Bruckheimer was honored with the VES Lifetime Achievement Award, presented by his longtime collaborator, F1: The Movie director Joseph Kosinski. Wētā Workshop co-founder and Chief Creative Officer Sir Richard Taylor received this year’s VES Visionary Award, presented by Adam Savage. Additional presenters included Enuka Okuma (Paradise), Haley Joel Osment (The Burbs, Happy Gilmore 2), Jazz Raycole (The Lincoln Lawyer), Lil Rel Howery (One of Them Days), Omar Benson Miller (Sinners), and singer/songwriter Raphael Saadiq (Sinners).

In his acceptance speech, Jerry Bruckheimer addressed the artists in the room, saying: “You create the magic. You create the things that people go to theaters for. You’re the people that we dream about when we go to the movies, when we go into that dark space in the theater, and the work that you do is truly phenomenal.” Sir Richard Taylor shared in his acceptance speech: “Thank you to the VES for this honor. It is a privilege to be part of this remarkable community and a joy to be with you all here on this special night. And if I can leave one thought with you, as I say to our team, there’s only four tenets by which I operate, and that is simply: love of oneself, love of what you do, love of who you do it with, and love of who you do it for. If you can strike those four in your life, you’re doing pretty
well.”

“The VES is honored to recognize brilliant artistry and technological innovation across a wide range of disciplines,” said VES Board Chair, Kim Davidson. “The craft of visual effects is constantly evolving to push the limits of our imaginations, and tonight’s inspiring winners and nominees represent best-in-class work from around the world. Congratulations to all!”

Below is the full list of winners for the 24th Annual VES Awards:

1. OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE
Avatar: Fire and Ash
Richard Baneham
Peter Litvack
Eric Saindon
Nicky Muir
Steve Ingram

2. OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL FEATURE
Sinners
Michael Ralla
James Alexander
Nick Marshall
Espen Nordahl
Donnie Dean

3. OUTSTANDING ANIMATION IN AN ANIMATED FEATURE
KPop Demon Hunters
Joshua Beveridge
Jacky Priddle
Benjamin Hendricks
Clara Chan

4. OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL EPISODE
Prehistoric Planet: Ice Age; “The Big Freeze”
Russell Dodgson
Tracey Gibbons
François Dumoulin
Gavin McKenzie

5. OUTSTANDING SUPPORTING VISUAL EFFECTS IN A PHOTOREAL EPISODE
The Residence; “The Fall of the House of Usher”
Seth Hill
Tesa Kubicek
John Nelson
Gabriel Vargas

6. OUTSTANDING VISUAL ARTS IN A REAL-TIME PROJECT
Ghost of Yōtei
Jason Connell
Matt Vainio
Joanna Wang
Jasmin Patry

7. OUTSTANDING VISUAL EFFECTS IN A COMMERCIAL
BMW; “Heart of Joy | Meet Okto the Octopus”
Tom Raynor
Helen Tang
Jack Harris
Alex Kulikov

8. OUTSTANDING VISUAL EFFECTS IN A SPECIAL VENUE PROJECT
The Wizard of Oz at Sphere
Ben Grossmann
Tamara Watts Kent
Dr. Irfan Essa
Matt Dougan
Glenn Derry

9. OUTSTANDING CHARACTER IN A PHOTOREAL FEATURE
Avatar: Fire and Ash; Varang: Leader of the Ash Clan
Stephen Clee
Stuart Adcock
Keven Norris
Joseph Kim

10. OUTSTANDING CHARACTER IN AN ANIMATED FEATURE
KPop Demon Hunters; Rumi
Sophia (Seung Hee) Lee
Andrea Matamoros
Marc Souliere
Joshua Beveridge

11. OUTSTANDING CHARACTER IN AN EPISODIC, COMMERCIAL, GAME CINEMATIC, OR REAL-TIME PROJECT
IT: Welcome to Derry; “The Thing in the Dark;” The Pickle Monster
Philip Harris-Genois
Pierric Danjou
Chloé Ostiguy
Jonathan Bourdua

12. OUTSTANDING ENVIRONMENT IN A PHOTOREAL FEATURE
Avatar: Fire and Ash; Bridgehead Industrial City
Gianluca Pizzaia
Steve Bevins
Dziga Kaiser
Zsolt Máté

13. OUTSTANDING ENVIRONMENT IN AN ANIMATED FEATURE
Zootopia 2; Marsh Market
Limei Z. Hshieh
Alexander Nicholas Whang
Joshua Fry
Ryan DeYoung

14. OUTSTANDING ENVIRONMENT IN AN EPISODIC, COMMERCIAL, GAME CINEMATIC, OR REAL-TIME PROJECT
Andor; “Welcome to the Rebellion;” The Senate District
John O’Connell
Falk Boje
Hasan Ilhan
Kevin George

15. OUTSTANDING CG CINEMATOGRAPHY
Avatar: Fire and Ash
Steve Deane
A.J. Briones
Zachary Brake
Andrew Moffett

16. OUTSTANDING MODEL IN A PHOTOREAL OR ANIMATED PROJECT
Avatar: Fire and Ash; The Windtraders‘ Gondola
Michael Smale
Sam Sharplin
Joe W. Churchill
Jacqi Dillon

17. OUTSTANDING EFFECTS SIMULATIONS IN A PHOTOREAL FEATURE
Avatar: Fire and Ash; Simulating Pandora
Nicholas James Illingworth
Sarah C. Farmer
James Robinson
Ryan Bowden

18. OUTSTANDING EFFECTS SIMULATIONS IN AN ANIMATED FEATURE
KPop Demon Hunters
Filippo Maccari
Nikolaos Finizio
Daniel La Chapelle
Srdjan Milosevic

19. OUTSTANDING EFFECTS SIMULATIONS IN AN EPISODE, COMMERCIAL, GAME CINEMATIC, OR REAL-TIME PROJECT
Prehistoric Planet: Ice Age; The Big Freeze
Edward Ferrysienanda
Kevin Christensen
Guy Schuleman
Kevin Tarpinian

20. OUTSTANDING COMPOSITING & LIGHTING IN A FEATURE
F1: The Movie; Modern Race and POV Footage
Hugo Gauvreau
Chris Davies
Raushan Raj
Amaury Rospars

21. OUTSTANDING COMPOSITING & LIGHTING IN AN EPISODE
The Last of Us; “Through the Valley;” A Storm of Ice, Fire and Flesh
Tobias Wiesner
Mark Julien
Owen Longstaff
Brendan Naylor

22. OUTSTANDING COMPOSITING & LIGHTING IN A COMMERCIAL
BMW; “Heart of Joy | Meet Okto the Octopus”
Alex Kulikov
Jack Harris
Adam Chabane
Nicola Borsari

23. OUTSTANDING SPECIAL (PRACTICAL) EFFECTS IN A PHOTOREAL PROJECT
Andor; “Who Are You?”
Luke Murphy
Dean Ford
Jody Eltham
Darrell Guyon

24. EMERGING TECHNOLOGY AWARD
Avatar: Fire and Ash; Kora Fire Toolset
Alexey Dmitrievich Stomakhin
John Edholm
Murali Ramachari
Aleksandr Isakov

25. OUTSTANDING VISUAL EFFECTS IN A STUDENT PROJECT
Azimuth
Thomas Teisseire
Cassandre Cinier
Martin Bluy
Mathis Giraudeau

For more information about the VES, visit https://www.vesglobal.org/.

About the Visual Effects Society
The Visual Effects Society is a nonprofit global community of over 5,500 VFX professionals across 50+ countries, dedicated to advancing the arts, sciences, and applications of visual effects while upholding the highest standards for the profession. As the entertainment industry’s only official organization representing the extended global VFX community—including supervisors, artists, producers, technology developers, educators, and studio executives—VES members contribute to all areas of entertainment: film, television, commercials, animation, games, and new media. To learn more, visit www.vesglobal.org and follow us on Instagram, LinkedIn, Facebook, and X. Read our award-winning publication VFX Voice at www.vfxvoice.com.

Filmakademie Baden-Württemberg, Animationsinstitut: „A SPARROW’S SONG“ wins Annie Award

Pressrelease Animationinstitute/ Filmacademy Baden Württemberg:

Graduation film A SPARROW’S SONG wins the world’s most prestigious award in animation and continues its international success story

Ludwigsburg, February 24th 2026

The diploma film A SPARROW’S SONG has won the Annie Award 2026 in the category Best Student Film. Created at the Animationsinstitut of Filmakademie Baden-Württemberg, the film was represented by director and producer Tobias Eckerlin, who accepted the award together with Lilli-Luisa Heckmann (Lead Animator) and Vincent Maurer (Technical Director) at the ceremony on February 21st 2026 in Royce Hall at the University of California, Los Angeles.
Sieh dir diesen Beitrag auf Instagram an

 

Ein Beitrag geteilt von Annie Awards (@theannieawards)

With A SPARROW’S SONG recognised alongside another diploma project, THE UNDYING PAIN OF EXISTENCE, which was also nominated in the same category, the Animationsinstitut demonstrates once again the outstanding quality and international visibility of its student productions.
In October 2025, A SPARROW’S SONG could already achieve a Gold Student Academy Award, further establishing it as one of the most remarkable student animated films worldwide.
A SPARROW’S SONG is a 3D animated short film based on a true story. It tells the story of an elderly widow during World War II, who unexpectedly draws new hope through her connection with an injured sparrow. Together, they spread this newfound hope and thus manage to offer some comfort to others in these difficult times.
The production involved 56 students and graduates from the Animationsinstitut, including core team members Tobias Eckerlin, Vincent Maurer (Technical Director), Elias Weber (Lead Character Artist), Lilli-Luisa Heckmann and Jiro Magracia (Lead Animators), and Rebecca Liebelt (Groom Artist).
Dr Jan Pinkava, Director of the Animationsinstitut, emphasises the significance of this achievement: “Wonderful! The Annie Awards are Hollywood’s highest honours for animation, open to the whole world. So we are delighted that Tobi Eckerlin’s diploma film “A SPARROW’S SONG” won the prize. Congratulations to Tobi and the entire team! The Filmakademie was especially honoured at this year’s Annie Awards, receiving 2 of the 5 nominations for Best Student Film. This recognition is a testament to the exceptional talent and outstanding teaching that we see every day at the Animationsinstitut of Filmakademie Baden-Württemberg.”
The Annie Awards are among the world’s most prestigious animation prizes and are presented by the International Animated Film Association (ASIFA) in Hollywood. The 53rd ceremony, which honoured the best animated works of 2025, took place on February 21st 2026 in Royce Hall at the University of California, Los Angeles. A SPARROW’S SONG is the third production from the Animationsinstitut to win an Annie Award; previously, eight projects from the institute had been nominated. Awards were presented in 32 competitive categories as well as four special prizes.
The Animationsinstitut and the entire Filmakademie Baden-Württemberg warmly congratulate the team of A SPARROW’S SONG on this outstanding achievement.

About the Animationsinstitut 
The Animationsinstitut at Filmakademie Baden-Württemberg trains outstanding talents at the highest level in the fields of animation, visual effects, technical directing, animation/effects producing and interactive media. In addition, the institute runs a research & development department and curates the annual international conference FMX – Film & Media Exchange (www.fmx.de). For more information about studying at the Animationsinstitut visit www.animationsinstitut.de.

German Version here!

Annie Awards 2026: „Animation is not a genre — it is one of the most powerful and enduring creative mediums in the world!“ | Remarks by Aubry Mintz, Executive Director, ASIFA-Hollywood

On Saturday, February 21st the 53rd Annie Awards™ celebration took place at UCLA’s Royce Hall. During the Ceremony Aubry Mintz, Executive Director of Asifa Hollywood delivered a speech, which we want to share with you with the kind permission of its author:

Good evening, Tonight at the Annies, we honor animation the way it deserves — across 35 categories celebrating innovators, risk-takers, and champions of this art form. At most other award shows, animation gets just one or two. Two categories for an entire universe of artistry.
Look around. You are the artists who build worlds from nothing. You shape culture, and inspire generations across borders and languages. Yet too often, animation is confined to a single box. Some people forget: animation is storytelling. It is filmmaking. It fills theaters, breaks box office records, pushes technology forward, and moves hearts. Animation is not a genre — it is one of the most powerful and enduring creative mediums in the world— and it deserves to be recognized that way. And that belief drives our mission.

We do that, in part, with the Annie Awards of course, but ASIFA-Hollywood is more than the Annies. We preserve animation history. We are advocates creating spaces for learning, dialogue, and connection. And we educate the next generation. We are a safety net when our community needs one most.

Last year, in 2025, this community showed the world exactly who we are. When wildfires devastated California and displaced animation artists, you showed up. Nearly $700,000 was raised to help our colleagues begin rebuilding their lives through AnimAID. That wasn’t obligation. That was community. That was animation taking care of its own.

Tonight, I’m proud to share two initiatives that continue this work.

First, thanks to a generous gift from the family of the late Will Ryan, ASIFA- Hollywood is launching a new industry honor:

The Will Ryan Excellence in Humor Award, recognizing emerging talent whose work pushes animation forward with innovation, creativity, and above all, humor. Submission details will be available in the coming months at asifa-hollywood.org.

We are all very grateful to the Will Ryan family for their generosity.  

Second, and this is where you come in, our Board of Directors and newly formed Advisory Board have come together with a clear narrative: to sustain and grow our vital programs, we must invest in ASIFA-Hollywood.

When you support ASIFA-Hollywood, you are ensuring that animation is seen, heard, and valued. Artists are recognized and supported, and our worldwide community remains connected, resilient, and strong for generations to come. To invest in the organization that invests in animation, you can donate right now.

Follow the link: https://asifa-hollywood.org/support-us 

We promise you that ASIFA-Hollywood will deliver with bold initiatives, deeper connections, and new ways of bringing this community together…and who knows maybe even MORE Annies categories. We can’t wait to show you what’s next!

Honoring excellence in the field of animation, the 53rd Annual Annie Awards  were presented in 37 categories including Animated Feature, Animated Feature-Independent, Television/Media Production(s), Sponsored Production, Short Subject and Student Film, as well as the Achievement and Honorary awards.

All Winners here: https://annieawards.org/winners

If you like here is the full show to rewatch again and again! Hint: Kpop Demon Hunters had a great night! And Aaron Blaise got an Annie Award for Snow Bear. Two Annie Awards went to Germany, woohooo!

Have a look:

LIVESTREAM – The 53rd Annual Annie Awards is taking place tonight, Saturday, February 21, 2026. 07.00 p.m. (19:00) PST (Pacific Standard Time)

Dress Code: Black tie, dressy, after-five attire.

Honoring excellence in the field of animation, the 53rd Annual Annie Awards will be presented

in 37 categories including Animated Feature, Animated Feature-Independent, Television/Media Production(s), Sponsored Production, Short Subject and Student Film, as well as the Achievement and Honorary awards.

The 53rd Annual Annie Awards will take place on Saturday, February 21, 2026 at UCLA’s Royce Hall in Los Angeles, California.

A MESSAGE FROM THE PRESIDENT AND EXECUTIVE DIRECTOR OF ASIFA-HOLLYWOOD

This past year has been a challenging one for ourcommunity. Amid sweeping changes across the industry, we have heard from many artists experiencing displacement and uncertainty about what the future may hold. These moments can feel isolating—but they also remind us how vital our collective strength truly is. It’s important to remember that behind every technological advancement lies the need for artists to guide the way. Our community leads with vision. We are trained to think beyond boundaries, to imagine what doesn’t yet exist, and to use creativity as a compass. That has always been—and will always be—our greatest power as we navigate what comes next. ASIFA-Hollywood is here for you. We see ourselves as a conduit: a place to help empower artists, elevate concerns, and work together toward meaningful solutions. As a nonprofit organization, our role is toprovide assistance where it’s needed most and to create opportunities for connection, growth, and collaboration.
While ASIFA-Hollywood is widely recognized for the Annie Awards, our work extends far beyond a single annual celebration. Especially in times like these, when community matters more than ever, we support artists, studios, educators, and students through a broad range of year-round programs.

In 2025, this community showed what it means to stand together. When more than 90 animation artists lost their homes in the California wildfires, we listened—and we acted. Through AnimAID, and with the generosity of this community, nearly $700,000 was raised to help our colleagues begin rebuilding their lives. This is who we are: a community that shows up for one another. ASIFA- Hollywood is proud to help create the structure that makes that possible.
Our mission for 2026 is to elevate animation as both an art form and a profession, strengthening the community that sustains it. Animation is one of the most influential and enduring creative mediums in the world, yet it is still too often undervalued and misunderstood within the entertainment industry. With your support, we can help change that.
By investing in ASIFA-Hollywood, you help ensure that animation is seen, heard, and valued; that its creators are recognized and supported; and that our community remains connected, resilient, and strong for generations to come.

Thank you for being here.
Warm regards,

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