Watch the Nintendo Direct featuring the world premiere of The Super Mario Galaxy Movie official trailer. The Super Mario Galaxy Movie releases in theaters April 2026.
Deutsche Fassung des Trailers:
Watch the Nintendo Direct featuring the world premiere of The Super Mario Galaxy Movie official trailer. The Super Mario Galaxy Movie releases in theaters April 2026.
Deutsche Fassung des Trailers:
Cartoon Business, the top-level seminar organised by CARTOON, will be held in Brussels for the second year in a row with the aim of assessing the current situation of European animation and exploring new business models within the industry. The event features an exhaustive programme of inspiring keynotes and revealing case studies addressing the major financial and technological challenges facing the industry. During this Cartoon Business, to be held on November 12-14, producers, investors, broadcasters and creative talents will discuss a wide range of topics such as the importance of edutainment programming, the challenges of the new production and distribution model promoted by platforms like YouTube, and the strategies to attract Teens and Young Adults audiences.

Sustainability as a competitive edge in animation and creative economy’s potential to generate new audiences and businesses in the animation sector will also feature on the agenda.
In addition, participants will have the opportunity to learn first-hand about the innovative strategies currently implemented by pubcasters, producers and distributors such as UK’s BBC Studios Kids & Family and Blue Zoo Animation; France’s Mediawan; and the Dutch Submarine. Rounding off the programme is an in-depth analysis of the current state of animation in Belgium, Ireland, and CEE countries, and a Round Table on the main ideas discussed in the presentations.
Professionals from the following companies will be sharing their valuable knowledge at the event: 8 Lions Entertainment (UK), Amuse Studios (Spain), Animation Hub (Slovakia), Animation Ireland (Ireland), BBC (UK), BBC Studios Kids & Family Productions (UK), Blue Zoo Animation (UK), Den siste skilling (Norway), Dubit (UK), Ecoprod (France), Enterprise Ireland (Ireland), France Télévisions (FTV) (France), IDA Ireland (France), Knudsen Pictures (Germany), La Cabane (France), Letko (Poland), Mediawan Kids & Family (France), Misty Fox (Ukraine), Northern Ireland Screen (UK), Norwegian Broadcasting Corporation (NRK) (Norway), Progressive FX (PFX) (Czechia), Sekai (France), Soupir (France), Submarine Animation (Netherlands), Teidees Audiovisuals (Spain), The Pack (Belgium), Thuristar (Belgium), VRT-Ketnet (Belgium), and Waooh! (Belgium).
The full list of speakers and experts can be found here, while the programme is available here.
As the host country, Belgium will play a central role in this new edition of Cartoon Business. Showing a strong ambition for co-production, the country’s cultural and economic funds have joined forces to put together a programme dedicated to the Belgian animation industry with a focus on studios and talent. Local animation will be represented by a large delegation of professionals, institutional representatives, and students, including the screening of two short films by domestic talent (2025 Oscar’s nominee “Beautiful Men” by Nicolas Keppens, and 2025 Magritte Awards winner “In Thousand Petals” by Louise Bongartz).
Leading up to the conference programme, networking events will be held on the afternoon of November 12 aimed at both established professionals and students taking their first steps in the industry.
The Business Clinic will bring together participants and consultants in individual sessions on animation-related business issues. This initiative allows participants to ask specific questions and receive targeted advice from experts in the areas of financing, strategy, management, legal matters, human resources, tax incentives, and project preparation, among others.
A Job Day featuring regional companies will be held in collaboration with AMPLO with the aim of offering young talents attending the event a chance to engage with local industry professionals and explore career opportunities. AMPLO, Creature, DreamWall, nWave Pictures, Studio Souza, Submarine, The Pack, Vivi Film, and Walking the Dog are some of the companies that will be presenting their work and job opportunities to young talents.
Also held in collaboration with AMPLO, one-to-one meetings between professionals will as well feature on Cartoon Business’ networking evening.
In the vein of letting know participants a little bit more about Belgium culture and idiosincrasy, a Welcome Dinner will be offered after the networking evening activities at the BELvue Musuem. Cartoon Business is co-funded by Creative Europe MEDIA in collaboration with Screen Flanders, screen.brussels, Wallimage, Flanders Image, and Fédération Wallonie- Bruxelles.
About CARTOON
CARTOON is an international non-profit association based in Brussels which organises a number of events focused on animation, including co-production and pitching events Cartoon Forum (Toulouse) and Cartoon Movie (Bordeaux), and three training events: Cartoon Springboard (Madrid), Cartoon Business (Brussels), and CartoonNext (Marseille).
The age of toys is over…? #ToyStory5 is only in theaters June 19, 2026.
In the teaser, fans are introduced to the new character Lilypad, a high-tech frog-shaped smart tablet voiced by Greta Lee (“Past Lives,” “The Morning Show,” “TRON: Ares”) that makes Buzz, Woody, Jessie and the rest of the gang’s jobs exponentially harder when they have to go head to head with the all-new threat to playtime.
Tom Hanks returns as the ever loyal cowboy Woody, Tim Allen reports for duty as Buzz Lightyear, and Joan Cusack saddles up again as the rootin’ tootin’ cowgirl Jessie. It was recently announced that Conan O’Brien will also be a part of the voice cast as the toilet training tech toy,Smarty Pants.
“Toy Story 5” is directed by Academy Award® winner Andrew Stanton (“WALL•E,” “Finding Nemo,” “Finding Dory”), co-directed by Kenna Harris (“Ciao Alberto”) and produced by Lindsey Collins (“Turning Red,” “WALL•E,” “Finding Dory”).
The animated adventure releases in theaters nationwide on June 19, 2026.
Discover how stop-motion rigging helped create ParaNorman’s practical effects, from zombies bursting through dirt to the van chase sequence. Ollie Jones and stop-motion riggers Craig Atkinson, Chris Gough, and Brian Elliot revisit their work on the pivotal scenes in the film to celebrate its thirteenth anniversary. #paranorman
Pressetext des Verleihs:
Deutschland, 1945: die fünfjährige Sophie und ihre Eltern fliehen vor der Roten Armee. Im Gepäck haben sie nur ein paar Kleidungsstücke und Fahrkarten für ein Schiff nach Amerika. Doch das Schicksal hat andere Pläne. Während einer Rast im Hotel gerät die Familie in einen Konflikt mit dem diabolischen Nazi Scharf und seinem Hitlerjungen Beckmann – mit fatalen Folgen. Im brutalen Handgemenge verliert die kleine Sophie nicht nur ihre Eltern, sondern auch ihre Erinnerungen. Als sie wieder zu sich kommt, ist das Hotel in sowjetischer Hand und sie zur Köchin des Hauses befördert. Die Jahrzehnte verstreichen wie im Flug und unter der Obhut des Sowjetsoldaten Wassili wächst Sophie zur Frau heran. Noch ahnt sie nicht, dass die Wahrheit über ihre Vergangenheit den Weg in ihre Zukunft ebnen wird – und der erste Hinweis im Luftschutzkeller des Hotels seit vielen Jahren nur darauf wartet, von ihr entdeckt zu werden.
Mit finanzieller Unterstützung von:
ZDF, Arte France Cinema, WDR, Medienboard Berlin Brandenburg, Kulturelle Filmförderung Sachsen, Kulturstiftung Sachsen, Filmförderung Mecklenburg Vorpommern, Filmförderanstalt FFA, Filmförderung Hamburg Schleswig-Holstein, Doha Film Institute
https://www.neuevisionen.de/de/filme/memory-hotel-168/filminfo#mt
Eine formalästhetisch einzigartige, kunstvoll-surreale Parabel auf die deutsche Nachkriegsgeschichte und ein Meisterstück des analogen Filmhandwerks: 25 Jahre hat der deutsche Regisseur Heinrich Sabl an MEMORY HOTEL gearbeitet – nun erblickt er endlich das Licht der Filmwelt. Der mit aufwendiger Stop-Motion-Technik realisierte Spielfilm ist ein absolutes Kinojuwel – klug, aufrüttelnd und visuell schlicht atemberaubend.
Submit it to Cartoon Movie by 12 November 2025 (23:59)! If selected, you will have the opportunity to pitch it to more than 800 professionals from the animation industry, including around 250 buyers, to find co-producers, financing, distributors and sales agents.
1. Prepare all the required elements as listed on our website.
2. When you are ready, go to My Cartoon and login or create an account. Click on „My Projects > Cartoon Movie > Submit your project“
3. Start filling in the online form:
CLICK HERE TO SUBMIT YOUR PROJECT
For professionals in the animation industry working on feature-length films, Cartoon Movie is the place to be! You can:
🎬 Discover the latest in animated feature films, with around 55 selected projects
👥 Meet over 800 participants, including producers, authors, distributors, sales agents, broadcasters, publishers and platforms from more than 40 countries
🛜 Network in a relaxed and friendly atmosphere
🤝 Find business partners and/or join new projects
…and much more!
Register by 18 December 2025 to secure a hotel room

LOS ANGELES, CA — The Academy of Motion Picture Arts and Sciences tonight honored its student winners from colleges and universities around the world at the 52nd Student Academy Awards® ceremony. Gold, Silver and Bronze placements were announced and trophies presented during a ceremony held at the Ziegfeld Ballroom in New York City, in partnership with Rolex. This year, the Student Academy Awards competition received 3,127 entries from 988 colleges and universities worldwide. With remarks by Academy CEO Bill Kramer and Academy President Lynette Howell Taylor, the night’s category presenters included Academy Actors Branch Governor Lou Diamond Phillips and filmmakers Craig Brewer, Jon M. Chu and Alex Woo.
(The ANIMATION Segment starts around 25:20 – Tobias receiving the Gold Student Academy Award happens around 37:10)
The 2025 Student Academy Award placements are:
Alternative/Experimental
Gold: Xindi Zhang, “The Song of Drifters,” University of Southern California
Silver: Vega Moltke-Leth, “Without Perfection,” University of Copenhagen, Denmark
Bronze: Mati Granica, “flower_gan,” London College of Communication, United Kingdom
Animation
Gold: Tobias Eckerlin, “A Sparrow’s Song,” Film Academy Baden-Württemberg, Germany
Silver: Lucas Ansel, “The 12 Inch Pianist,” Rhode Island School of Design
Bronze: Sofiia Chuikovska, Loïck du Plessis D’Argentré & Maud Le Bras, “The Shyness of Trees,” Gobelins, France
CREDITS CREW:
Regie, Producer: Tobias Eckerlin
Lead Technical Director: Vincent Maurer
Lead Character Artist: Elias Weber
Lead Animation: Lilli-Luisa Heckmann, Marius Magracia
Groom & Feather Lead Animation: Rebecca Liebelt
Film Music: Dominik Girod
Sounddesign: Marc Uhlherr
Production Company Filmakademie Baden-Württemberg GmbH
Documentary
Gold: Tatiana McCabe, “Tides of Life,” University of the West of England Bristol, United Kingdom
Silver: Rebeka Bizubová, “Confession,” Academy of Performing Arts in Bratislava, Slovakia
Bronze: Jane Deng, “I Remember,” New York University
Narrative
Gold: Jan Saczek, “Dad’s Not Home,” Krzysztof Kieślowski Film School, Poland
Silver: Meyer Levinson-Blount, “Butcher’s Stain,” Tel Aviv University, Israel
Bronze: ZEFAN, “Kubrick, Like I Love You,” Columbia University
First-time honors go to the University of Copenhagen, Gobelins, Krzysztof Kieślowski Film School, Academy of Performing Arts in Bratislava, London College of Communication and University of the West of England Bristol.
All Student Academy Award-winning films are eligible to compete for the 98th Oscars® in the Animated Short Film, Live Action Short Film or Documentary Short Film category. The 2025 winners join the ranks of such past Student Academy Award® winners as Patricia Cardoso, Pete Docter, Spike Lee, Patricia Riggen and Robert Zemeckis. Past winners have gone on to receive 69 Oscar® nominations and have won or shared 15 awards.
The Student Academy Awards were established in 1972 to provide a platform for emerging global talent by creating opportunities within the industry to showcase their work.
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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is the world’s premier film organization and is home to a global membership of more than 11,000 of the most accomplished film industry artists and leaders. The Academy connects global audiences – its members, the film industry, and film fans – through their shared passion for making and watching films. The Academy does this by recognizing and celebrating the arts and sciences of moviemaking through renowned awards for cinematic achievement, including the Oscars®, the Governors Awards, and the Scientific and Technical Awards. The Academy’s affiliated charitable organization, the Academy Foundation, serves a public benefit through its robust educational, preservation and cultural activities. This includes the Academy Museum of Motion Pictures, the world’s largest global film museum, the Academy Collection, the largest film-related collection in the world, and talent development programs for emerging artists. Year-round, the Academy creates opportunities for all communities to engage with the film world.

Student Academy Award: Gold: Tobias Eckerlin, “A Sparrow’s Song,” Film Academy Baden-Württemberg, Germany
When the meanest, nastiest villains pull a trick to take over their town, two brave children team up with a family of magical animals to bring them down.
Once upon a time, there were two terrible Twits… But now, they’ve met their match. The Twits.
https://en.wikipedia.org/wiki/The_Twits_(film)
A brand new story inspired by Roald Dahl’s iconic characters.
On Netflix October 17.
Buckle up for a thrilling adventure because we’re heading to Twitlandia. On Oct. 17, Netflix will release the animated film The Twits — written, directed, and produced by Academy Award nominee Phil Johnston (Ralph Breaks the Internet) and animated by Jellyfish Pictures (The Boss Baby, The Bad Guys). Rounding out the filmmaking team are co-directors Katie Shanahan and Todd Demong, producer Maggie Malone, producer Daisy West, and writer Meg Favreau. The Twits marks the first screen adaptation based on the Roald Dahl book of the same name, which has been translated into 41 languages and sold 16 million copies worldwide.
This story follows Mr. and Mrs. Twit — who are the miserable owners of a dangerous amusement park — and their meteoric rise to power in their town. The Twits’ takeover leads to an ongoing conflict between them, two children, and a community of magical animals who are determined to stop them.
Johnston was excited to take on the project, as The Twits was his favorite book growing up. “I’ve always been attracted to reprehensible characters. I don’t know what this says about me, and I really don’t want to look into it,” he told Netflix earlier this year. “I love the Twits and their terrible tricks. I love that they lack self-awareness and personal hygiene and any inkling of human decency. And I love this movie because it reminds us that twits like the Twits, whose default emotions are anger and vengeance, can’t be allowed to win in our world.”
Whether you’re already a fan of Dahl’s tale or discovering a new soon-to-be obsession, here’s everything you need to know about The Twits.
David Nasser (animation director) will join Steve Hudson (director, screenplay) and Sonja Ewers (production) in this masterclass to discuss their collaborative work on STITCH HEAD (2025).
The masterclass will be moderated by Friedrich Schäper, co-founder of the animation studio Studio Huckepack and lecturer at the ifs International Film School Cologne.
Admission is free, but only with a ticket!
David Nasser (Animation Director) wird zusammen mit Steve Hudson (Regie, Drehbuch) und Sonja Ewers (Produktion) in dieser Masterclass über die gemeinsame Arbeit an ALLES VOLLER MONSTER (2025) sprechen.
Die Masterclass moderiert Friedrich Schäper, Mitgründer des Animationsstudios Studio Huckepack und Lehrender an der ifs Internationale Filmschule Köln.
Eintritt frei, aber nur mit Ticket!
https://filmfestival.cologne/veranstaltung/masterclass-animation
german version further below
The Film University Babelsberg KONRAD WOLF is a lively centre of art, research, and education. Renowned experts from the worlds of film and academia provide students with intensive and individual support at Germany’s only film university. Conducting innovative research with, in, and on film and other audio visual media, the university is a cosmopolitan and non-discriminatory space for cultural and social debate.
The Film University is seeking applications for a grade W 2 artistic professorship for the field of “AI in Cinematic Image Design / VFX”, starting as soon as possible.
The professorship is initially limited to five years in accordance with § 45 Hochschulgesetz des Landes Brandenburg (BbgHG); following a positive tenure evaluation, the position will be converted to a W2 tenured professorship. The professorship is funded by the Federal-State Program for the Promotion of Young Scientists (tenure- track program). Further details can be found in the Film University’s tenure-track statutes. Individuals with proven scientific and artistic achievements in the early stages of their careers are particularly encouraged to apply.
We are looking for a renowned personality who can teach the artistic use of AI-supported application tools and processes, critically reflect on them, and further develop them for the field of film art and visual design at the Film University. The focus is on artistic processes for the design of moving images and digital worlds created through the use of generative processes, neural networks, and prompt-to- image workflows. There is a particular emphasis on the artistic disciplines of VFX, e.g., compositing, look development, concept art, and scenic design using AI-supported processes.
The Film University intends to use the professorship to advance the university-wide discourse on artificial intelligence, also in cooperation with the Institute for Artistic Research. The professorship therefore plays a central role in the development of the university’s AI strategy. The development of own artistic research projects within the framework of teaching and research is expressly desired.
The professorship will be based in the BA Visual Effects & Virtual Productions program and will serve as
an interface with other programs at the Film University in order to support film artistry with AI.
• ¾ of teaching duties are in the field of artistic VFX, also in English, including teaching the fundamentals
• ¼ of teaching duties are to be designed as transdisciplinary teaching
• Supervision of student projects, theses, presentations, exams
• Active further development of one’s own field of expertise and the degree program
• Networking and establishing collaborations within and outside the university
• Research and development
• Collaboration on third-party funding applications and projects
The profile of the professorship includes participation and presence in academic self-administration and
in contributing to the continuous development of the Bachelor’s and Master’s degree programs, and
requires active communication internally and externally for networking and further development of
interdisciplinary collaboration.
Particular emphasis is placed on actively promoting and supporting the artistic qualification projects of
academic staff.
• Completed university degree, ideally at the interface between art and technology, e.g., in the field of media art, media design, game design, computer graphics, or a comparable degree
• Pedagogical aptitude demonstrated through relevant teaching experience, ideally at a university/film school/academy
• Special aptitude for scientific work, generally demonstrated through the quality of a doctorate or comparable scientific achievements
• Special aptitude for artistic work demonstrated through relevant artistic and/or artistic-technical works and projects
• Additional achievements, demonstrated in particular by artistic works and projects in the field of cinematic image design using new technologies; for example, through internationally visible, independent artistic and artistic-technical achievements in the fields of VFX, virtual production, CGI, and 3D games
Expected to provide evidence through relevant projects, or similar:
• Expertise in the artistic use of new technologies, especially AI-supported tools
• Creative and managerial experience in the field of visual effects, for example in VFX supervision, compositing, art direction, concept art, look development, or similar
• Special knowledge of software applications relevant to motion image generation and visual effects
• Experience in working with real-time rendering/3D game engines, ideally in connection with virtual productions
• Professional experience in cross-departmental collaboration on set
• Excellent contacts in the national and international film and VFX industry
• Communication, coordination, and organizational skills, leadership skills
• Ability to support students‘ artistic development process and reflect on it with them. An open-minded and empathetic attitude is required.
• Good written and spoken English skills and willingness to teach courses in English or online
• Experience in promoting young artists and in artistic research
• Artistic authorship of own projects
• Proven expertise in acquiring third-party funding
Teaching responsibilities
Teaching comprises 12 LVS (weekly contact hours per semester) according to the teaching obligation
regulation of the state of Brandenburg. Three-quarters of the teaching is in the field of artistic VFX and
one-quarter is transdisciplinary teaching.
The Film University values the diversity of its members and pursues the goals of equal opportunity regardless of gender, nationality, ethnic and social origin, religion/belief, disability, age, and sexual orientation and identity. In accordance with §7(4) BbgHG, women and severely disabled persons are given preferential consideration in the case of equal suitability. Applications from abroad, from persons with a non-German background and applicants with family care responsibilities are explicitly welcome.
The Film University aims to increase the proportion of women in research and teaching and therefore strongly encourages qualified female applicants to apply. Please indicate any severe disability in your application, if applicable.
The Film University asks applicants to submit a written teaching concept. In addition, we ask the applicants to formulate their ideas on how equality and diversity can be integrated into teaching and research and supported in university life. This should also include how latent and explicit forms of discrimination can be countered. These aspects will be considered in the selection decision.
Furthermore, the Film University is committed to strengthening sustainability in the university context and promotes the examination of ecological, social and economic dimensions of sustainability in teaching, art and research. With this in mind, we ask applicants to establish links between their own work and the field of sustainability.
Please send in your application containing
• description of your artistic and pedagogical career
• curriculum vitae
• certificates
• teaching concept
• Presentation on equality and diversity in teaching and research
• Presentation on sustainability in relation to teaching and research of the advertised professorship
• proof of activities
• examples of work – through a corresponding link on a streaming platform
• list of publications
until 02.11.2025 exclusively via our online application portal.
Die Filmuniversität Babelsberg KONRAD WOLF ist ein lebendiger Ort der Kunst, der Forschung und der Lehre. Renommierte Fachleute aus Filmpraxis und Wissenschaft betreuen die Studierenden intensiv und individuell. An der einzigen deutschen Filmuniversität wird innovative Forschung mit, im und zu Film und anderen audiovisuellen Medien vorangetrieben. Die Hochschule ist ein weltoffener und diskriminierungsfreier Raum für kulturelle und gesellschaftliche Auseinandersetzung.
An der Filmuniversität Babelsberg KONRAD WOLF ist zum nächstmöglichen Zeitpunkt eine wissenschaftlich- künstlerische Tenure-Track Professur der Besoldungsgruppe W2 für das Fachgebiet „KI in der filmischen Bildgestaltung / VFX“ als volle Stelle zu besetzen.
Die Professur wird entsprechend § 45 Brandenburgisches Hochschulgesetz (BbgHG) zunächst 5 Jahre befristet; im Anschluss an eine positive Tenure- Evaluation erfolgt die Übernahme auf eine W2-Lebenszeitprofessur.
Die Professur wird gefördert durch das Bund-Länder-Programm zur Förderung des wissenschaftlichen Nachwuchses (Tenure-Track-Programm). Näheres ist der Tenure-Track-Satzung der Filmuniversität zu entnehmen.
Wissenschaftlich-künstlerisch ausgewiesene Personen in einer frühen Karrierephase sind im Besonderen zur Bewerbung aufgefordert.
Gesucht wird eine renommierte Persönlichkeit, die den künstlerischen Einsatz von KI- gestützten Anwendungswerkzeugen und Verfahren vermittelt, diesen kritisch reflektiert und für das filmkünstlerische und bildgestalterische Feld an der Filmuniversität weiterentwickelt. Im Zentrum stehen künstlerische Prozesse für die Gestaltung von Bewegtbildern und digitalen Welten, die durch den Einsatz generativer Verfahren, neuronaler Netze und Prompt-to-Image-Workflows erschaffen werden. Dabei liegt der besondere Schwerpunkt auf dem Bereich der künstlerischen Disziplinen des VFX: z.B. Compositing, Look Development, Concept Art und szenische durch KI- gestützte Verfahren.
Die Filmuniversität beabsichtigt, durch die zu besetzende Professur den hochschulweiten Diskurs über künstliche Intelligenz – auch in Zusammenarbeit mit dem Institut für künstlerische Forschung – voranzutreiben. Die Professur nimmt daher eine zentrale Rolle bei der Entwicklung der KI Strategie der Hochschule ein. Die Entwicklung eigener künstlerisch-forschender Projekte im Rahmen von Lehre und Forschung ist ausdrücklich gewünscht.
Die Professur wird im Studiengang BA Visual Effects & Virtual Productions angesiedelt und ist Schnittstelle zu weiteren Studiengängen der Filmuniversität, um die filmkünstlerische Arbeit mit KI zu unterstützen.
Die Aufgaben der Professur „KI in der filmischen Bildgestaltung / VFX“ werden im Besonderen umfassen:
Das Profil der Professur schließt die Mitwirkung und Präsenz bei der akademischen Selbstverwaltung und bei der Mitarbeit an der kontinuierlichen Weiterentwicklung der Bachelor- und Master-Studienprogramme ein und erfordert die aktive Kommunikation nach innen und nach außen zur Vernetzung und Weiterentwicklung der interdisziplinären Zusammenarbeit. Besonderer Wert wird auf die aktive Förderung und Betreuung der künstlerischen Qualifizierungsprojekte der akademischen Mitarbeiter*innen gelegt
Die gesetzlichen Einstellungsvoraussetzungen ergeben sich aus § 43 Absatz 1 Nummer 1 bis 4 Buchst. a und Absatz 4 BbgHG. Folgende Einstellungsvoraussetzungen sind nachzuweisen:
Wünschenswert sind darüber hinaus:
Die Lehre umfasst 12 SWS gemäß Lehrverpflichtungsverordnung des Landes Brandenburg.
Die Filmuniversität schätzt die Vielfalt ihrer Mitglieder und verfolgt die Ziele der Chancengleichheit unabhängig von Geschlecht, Nationalität, ethnischer und sozialer Herkunft, Religion/Weltanschauung, Behinderung, Alter sowie sexueller Orientierung und Identität. Unter der Voraussetzung des § 7 Absatz 4 BbgHG werden bei gleicher Eignung Frauen sowie schwerbehinderte Menschen bevorzugt berücksichtigt. Bewerbungen aus dem Ausland, von Personen mit Migrationshintergrund und Bewerber*innen mit familiären Betreuungsaufgaben sind ausdrücklich erwünscht.
Die Filmuniversität strebt eine Erhöhung des Anteils von Frauen in Forschung und Lehre an und fordert daher qualifizierte Bewerberinnen nachdrücklich auf, sich zu bewerben. Bitte weisen Sie auf eine Schwerbehinderung ggf. bereits in Ihrer Bewerbung hin.
richten Sie bitte bis zum 02.11.2025 ausschließlich an unser Online-Bewerbungsportal
REDWOOD CITY, Calif.–(BUSINESS WIRE)– Electronic Arts Inc. (NASDAQ: EA) (“EA” or the “Company”), a global leader in interactive entertainment, today announced that it has entered into a definitive agreement to be acquired by an investor consortium (“the Consortium”) comprised of PIF, Silver Lake, and Affinity Partners in an all-cash transaction that values EA at an enterprise value of approximately $55 billion. The transaction positions EA to accelerate innovation and growth to build the future of entertainment.
Under the terms of the agreement, the Consortium will acquire 100% of EA, with PIF rolling over its existing 9.9% stake in the Company. EA stockholders will receive $210 per share in cash. The per share purchase price represents a 25% premium to EA’s unaffected share price of $168.32 at market close on September 25, 2025, the last fully unaffected trading day, and a premium to EA’s unaffected all-time high of $179.01 at market close on August 14, 2025.
PIF, Silver Lake, and Affinity Partners bring deep sector experience, committed capital, and global portfolios with networks across gaming, entertainment, and sports that offer unique possibilities for EA to blend physical and digital experiences, enhance fan engagement, and create new growth opportunities. The transaction represents the largest all-cash sponsor take-private investment in history, with the Consortium partnering closely with EA to enable the Company to move faster and unlock new opportunities on a global stage.
“Our creative and passionate teams at EA have delivered extraordinary experiences for hundreds of millions of fans, built some of the world’s most iconic IP, and created significant value for our business. This moment is a powerful recognition of their remarkable work,” said Andrew Wilson, Chairman & CEO of Electronic Arts. “Looking ahead, we will continue to push the boundaries of entertainment, sports, and technology, unlocking new opportunities. Together with our partners, we will create transformative experiences to inspire generations to come. I am more energized than ever about the future we are building.”
“PIF is uniquely positioned in the global gaming and esports sectors, building and supporting ecosystems that connect fans, developers, and IP creators,” said Turqi Alnowaiser, Deputy Governor and Head of International Investments at PIF. “PIF has demonstrated a strong commitment to these sectors, and this partnership will help further drive EA’s long-term growth, while fueling innovation within the industry on a global scale.”
“This investment embodies Silver Lake’s mission to partner with exceptional management teams at the highest quality companies. EA is a special company: a global leader in interactive entertainment, anchored by its premier sports franchise, with accelerating revenue growth and strong and scaling free cash flow. We are honored to invest and partner with Andrew – an extraordinary CEO who has doubled revenue, nearly tripled EBITDA, and driven a fivefold increase in market cap during his tenure,” said Egon Durban, Co-CEO and Managing Partner of Silver Lake. “The future for EA is bright, we are going to invest heavily to grow the business and we are excited to support Andrew and the EA team as the company accelerates innovation, expands its reach worldwide, and continues to deliver incredible experiences to players and fans across generations.”
“Electronic Arts is an extraordinary company with a world-class management team and a bold vision for the future. I’ve admired their ability to create iconic, lasting experiences, and as someone who grew up playing their games - and now enjoys them with his kids – I couldn’t be more excited about what’s ahead,” said Jared Kushner, Chief Executive Officer of Affinity Partners.
“The Board carefully evaluated this opportunity and concluded it delivers compelling value for stockholders and is in the best interests of all stakeholders,” said Luis A. Ubiñas, Lead Independent Director of EA’s Board of Directors. “We are pleased that this transaction delivers immediate and certain cash value to our stockholders while strengthening EA’s ability to continue building the communities and experiences that define the future of entertainment.”
Transaction Details
The transaction was approved by EA’s Board of Directors, is expected to close in Q1 FY27 and is subject to customary closing conditions, including receipt of required regulatory approvals and approval by EA stockholders. Following the close of the transaction, EA’s common stock will no longer be listed on any public market.
The transaction will be funded by a combination of cash from each of PIF, Silver Lake, and Affinity Partners as well as roll-over of PIF’s existing stake in EA, constituting an equity investment of approximately $36 billion, and $20 billion of debt financing fully and solely committed by JPMorgan Chase Bank, N.A., $18 billion of which is expected to be funded at close. Each of PIF, Silver Lake, and Affinity Partners plan to fund the equity component of the financing entirely from capital under their respective control.
Upon completion of the transaction, EA will remain headquartered in Redwood City, California and continue to be led by Andrew Wilson as CEO.
Advisors
Goldman Sachs & Co. LLC is serving as EA’s financial advisor and Wachtell, Lipton, Rosen & Katz is serving as EA’s legal advisor.
Kirkland & Ellis LLP is serving as legal counsel to the Consortium. Kirkland & Ellis LLP is serving as lead legal counsel for PIF with specialized counsel from Gibson, Dunn & Crutcher LLP. Latham & Watkins LLP and Simpson Thacher & Bartlett LLP are serving as Silver Lake’s legal counsel. Sidley Austin LLP is serving as Affinity Partners’ legal counsel.
J.P. Morgan Securities LLC is serving as financial advisor to the Consortium.
As a result of this announcement, for its Q2 FY26 earnings release scheduled for October 28, 2025, EA will release financial and operational results through a press release and will not hold a conference call or webcast.
About Electronic Arts
Electronic Arts (NASDAQ: EA) is a global leader in digital interactive entertainment. The Company develops and delivers games, content and online services for Internet-connected consoles, mobile devices and personal computers.
In fiscal year 2025, EA posted GAAP net revenue of approximately $7.5 billion. Headquartered in Redwood City, California, EA is recognized for a portfolio of critically acclaimed, high-quality brands such as EA SPORTS FC™, Battlefield™, Apex Legends™, The Sims™, EA SPORTS™ Madden NFL, EA SPORTS™ College Football, Need for Speed™, Dragon Age™, Titanfall™, Plants vs. Zombies™ and EA SPORTS F1®. More information about EA is available at www.ea.com/news.
EA, EA SPORTS, EA SPORTS FC, Battlefield, Need for Speed, Apex Legends, The Sims, Dragon Age, Titanfall, and Plants vs. Zombies are trademarks of Electronic Arts Inc. John Madden, NFL, FIFA and F1 are the property of their respective owners and used with permission.
About PIF
PIF is one of the world’s most impactful investors, enabling the creation of key sectors and opportunities that help shape the global economy, deliver returns and drive the economic transformation of Saudi Arabia. The gaming and esports industry is one of its priority sectors, contributing to the diversification of the local economy, while at the same time driving investment returns.
About Silver Lake
Silver Lake is a global technology investment firm, with more than $110 billion in combined assets under management and committed capital and a team of professionals based in North America, Europe and Asia. Silver Lake’s portfolio companies collectively generate approximately $260 billion of revenue annually and employ approximately 448,000 people globally.
About Affinity Partners
Affinity Partners is a Miami-based investment firm founded in 2021 by Jared Kushner. With over $5.4B under management and a team of 30+ professionals, Affinity focuses on growth equity, financial services, and technology investments at scale, with a flexible mandate across industries and geographies.
Cautionary Statement Regarding Forward-Looking Statements
Some statements set forth in this release contain forward-looking statements that are subject to change. Statements including words such as “anticipate,” “believe,” “expect,” “intend,” “estimate,” “plan,” “predict,” “seek,” “goal,” “will,” “may,” “likely,” “should,” “could” (and the negative of any of these terms), “future” and similar expressions that predict or indicate future events or trends or that are not statements of historical matters may identify forward-looking statements. These forward-looking statements include, but are not limited to, statements regarding the benefits of and timeline for closing the transaction. These forward-looking statements are based on various assumptions, whether or not identified in this press release, are not guarantees of future performance and reflect management’s current expectations. Our actual performance could differ materially from those discussed in the forward-looking statements. Some of the factors which could cause the Company’s results to differ materially from its expectations include the following: the timing, receipt and terms and conditions of any required governmental and regulatory approvals of the proposed transaction that could delay the consummation of the proposed transaction or cause the parties to abandon the proposed transaction; the occurrence of any event, change or other circumstances that could give rise to the termination of the merger agreement entered into in connection with the proposed transaction; the possibility that the Company’s stockholders may not approve the proposed transaction; the risk that the parties to the merger agreement may not be able to satisfy the conditions to the proposed transaction in a timely manner or at all; risks related to disruption of the Company’s business resulting from the transaction, including disruption of management time from ongoing business operations due to the proposed transaction; risks relating to certain restrictions during the pendency of the proposed transaction that may impact the ability of the Company to pursue certain business opportunities or strategic transactions; the risk that any announcements relating to the proposed transaction could have adverse effects on the market price of the Company’s common stock, including if the proposed transaction is not consummated; the risk of any unexpected costs or expenses resulting from the proposed transaction; the risk of any litigation relating to the proposed transaction; the risk that the proposed transaction and its announcement could have an adverse effect on the ability of the Company to retain and hire key personnel and to maintain relationships with customers, vendors, partners, employees, stockholders and other business relationships and on its operating results and business generally; and the risks and uncertainties that will be described in the proxy statement available from sources indicated below. Further information on factors that could cause actual results to differ materially from the results anticipated by the forward-looking statements is described in Part I, Item 1A of Electronic Arts’ latest Annual Report on Form 10-K under the heading “Risk Factors”, as well as in Quarterly Reports on Form 10-Q, Current Reports on Form 8-K and other documents we have filed with the Securities and Exchange Commission (the “SEC”). These filings are available on the investor relations section of the Company’s website at https://ir.ea.com or on the SEC’s website at https://www.sec.gov. The forward-looking statements made in this press release are current only as of the date hereof. Electronic Arts assumes no obligation to revise or update any forward-looking statement, except as required by law.
Additional Information and Where to Find It
In connection with the proposed transaction between the Investor Group and the Company, the Company will file with the SEC a preliminary Proxy Statement of the Company (the “Proxy Statement”). The Company plans to mail to its stockholders a definitive Proxy Statement in connection with the proposed transaction. THE COMPANY URGES YOU TO READ THE PROXY STATEMENT AND OTHER RELEVANT DOCUMENTS FILED OR TO BE FILED WITH THE SEC CAREFULLY AS THEY BECOME AVAILABLE BECAUSE THEY WILL CONTAIN IMPORTANT INFORMATION ABOUT THE COMPANY, THE INVESTOR GROUP, THE PROPOSED TRANSACTION AND RELATED MATTERS. You will be able to obtain a free copy of the Proxy Statement and other related documents (when available) filed by the Company with the SEC at the website maintained by the SEC at https://www.sec.gov. You also will be able to obtain a free copy of the Proxy Statement and other documents (when available) filed by the Company with the SEC by accessing the investor relations section of the Company’s website at https://ir.ea.com or by contacting the Company’s investor relations department at ir@ea.com or calling (650) 628-0406.
Participants in the Solicitation
The Company and its directors and executive officers may be deemed to be participants in the solicitation of proxies from the Company’s stockholders in connection with the merger.
Information regarding the directors and executive officers of the Company is set forth (i) in the Company’s definitive proxy statement for its 2025 Annual Meeting of Stockholders, including under the headings “Proposal 1: Election of Directors,” “Compensation Discussion and Analysis,” “Executive Compensation Tables,” “Security Ownership of Certain Beneficial Owners and Management” and “Related Persons Transactions,” which was filed with the SEC on June 24, 2025 and is available at https://www.sec.gov/ix?doc=/Archives/edgar/data/0000712515/000130817925000556/ea014143-def14a.htm, and (ii) to the extent holdings of the Company’s securities by its directors or executive officers have changed since the amounts set forth in the Company’s definitive proxy statement for its 2025 Annual Meeting of Stockholders, such changes have been or will be reflected on Initial Statement of Beneficial Ownership of Securities on Form 3, Statement of Changes in Beneficial Ownership on Form 4, or Annual Statement of Changes in Beneficial Ownership on Form 5 filed with the SEC, which are available at EDGAR Search Results https://www.sec.gov/edgar/browse/?CIK=712515&owner=only.
Other information regarding the participants in the proxy solicitation and a description of their direct and indirect interests, by security holdings or otherwise, will be contained in the Proxy Statement and other relevant materials to be filed with the SEC when they become available. You may obtain free copies of these documents through the website maintained by the SEC at https://www.sec.gov.
This whimsical, playful film tells the story of the kinds of stories fimmaker Sarah Polley tells. Using humorous, simple line animation, the film comments on the messiness of life and art.
Produced by the NFB in co-operation with the National Arts Centre and the Governor General’s Performing Arts Awards Foundation on the occasion of the 2013 Governor General’s Performing Arts Awards.
This short film pays tribute to director, screenwriter and actress Sarah Polley. Her latest film, Stories We Tell, a feature length documentary about her family history, premiered at the 2012 Venice Film Festival, then screened to unanimous acclaim at the Telluride Film Festival, the Toronto International Film Festival, and the Sundance Film Festival. It was called “a brilliant film: an enthralling, exquisitely layered masterpiece” by Maclean’s film critic Brian D. Johnson. Here, a whimsical, playful film tells the story of the kinds of stories Polley tells. Using humorous, simple line animation, the film comments on the messiness of life and art. Produced by the NFB in co-operation with the National Arts Centre and the Governor General’s Performing Arts Awards Foundation on the occasion of the 2013 Governor General’s Performing Arts Awards. Directed by Ann Marie Fleming – 2013 | 5 min
In the new DC animated movie, Aztec Batman: Clash of Empires, Yohualli Coatl becomes the Dark Knight to take on an elseworld version of Two-Face.
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