Tom Hanks and Robin Wright star in HERE.
Tom Hanks and Robin Wright star in HERE.

DCM Screening: „HERE“ – Regie Robert Zemeckis

In Zusammenarbeit mit DCM darf INDAC   Animations-/VFXschaffende zu den Presse-Screenings des Films

HERE“ 

ORIGINALVERSION mit deutschen Untertiteln, 105 Minuten

einladen.

Die Vorführungen finden statt in  Köln, München, Berlin und Hamburg.

Die Teilnehmer verpflichten sich obligatorisch, eine Filmkritik für den INDAC Blog zu verfassen, die zeitnah um den Filmstart auf dem INDAC-Blog veröffentlicht wird. Details weiter unten!

Nur auf INDAC.org gemäß der neuen DSGVO registrierte Mitglieder der deutschen Animations- und VFX Community können sich für die Teilnahme an den Screenings bewerben.

 

Regie: Robert Zemeckis

Cast: Tom Hanks, Robin Wright, Paul Bettany, Kelly Reilly
 
Based on the Graphic Novel by Richard MacGuire
 
Drehbuch: Eric Roth, Robert Zemeckis
 
Laufzeit: ca. 105 min | FSK: tba

im Verleih von DCM

ab 12. Dezember 2024 im Kino

 

Read more

THAT CHRISTMAS - Santa (Brian Cox) and Dasher (Guz Khan) are on a mission of epic proportions in Locksmith Animation and Netflix's heartwarming comedy, THAT CHRISTMAS. Based on the charming trilogy of children's books by beloved multi award-winning writer/director Richard Curtis (Four Weddings and a Funeral, Notting Hill, Love Actually, Yesterday), THAT CHRISTMAS follows a series of entwined tales about family and friends, love and loneliness, and Santa Claus making a big mistake, not to mention an enormous number of turkeys! Cr: Netflix © 2024
THAT CHRISTMAS - Santa (Brian Cox) and Dasher (Guz Khan) are on a mission of epic proportions in Locksmith Animation and Netflix's heartwarming comedy, THAT CHRISTMAS. Based on the charming trilogy of children's books by beloved multi award-winning writer/director Richard Curtis (Four Weddings and a Funeral, Notting Hill, Love Actually, Yesterday), THAT CHRISTMAS follows a series of entwined tales about family and friends, love and loneliness, and Santa Claus making a big mistake, not to mention an enormous number of turkeys! Cr: Netflix © 2024

Netflix/Locksmith Animation: Simon Otto´s „That Christmas“ – „Ein Klitzekleines Weihnachtswunder“ premieres on Netflix, December 4.

Based on the charming trilogy of children’s books by beloved multi award-winning writer/director Richard Curtis (Four Weddings and a Funeral, Notting Hill, Love Actually, Yesterday), That Christmas follows a series of entwined tales about family and friends, love and loneliness, and Santa Claus making a big mistake, not to mention an enormous number of turkeys! This heartwarming comedy from Locksmith Animation marks Curtis’ first foray into animation, serving as the film’s writer and executive producer, and also the feature directorial debut of renowned animation veteran Simon Otto (Love, Death & Robots, How to Train Your Dragon films). Nicole P. Hearon (Moana, Frozen) and Adam Tandy (The Thick of It, Detectorists) are producers.
That Christmas premieres on Netflix, December 4. Watch That Christmas, only on Netflix: https://www.netflix.com/title/81309564
Regie: Simon Otto
Drehbuch: Richard Curtis & Peter Souter
Buchvorlage: Richard Curtis mit Illustrationen von Rebecca Cobb
Producer: Nicole P. Hearon, Adam Tandy
Executive Producer: Mary Coleman, Natalie Fischer, Julie Lockhart, Elisabeth Murdoch,
Bonnie Arnold, Lara Breay, Sarah Smith, Rebecca Cobb, Richard Curtis, Colin Hopkins
Musik: John Powell
Animationsstudio: Locksmith Animation
Original-Synchronstimmen: Brian Cox, Fiona Shaw, Jodie Whittaker, Lolly Adefope,  Alex Macqueen, Katherine Parkinson, Sindhu Vee, India Brown, Zazie Hayhurst,  Sienna Sayer, Jack Wisniewski, Rosie Cavaliero, Paul Kaye, Guz Khan, Andy Nyman, Kuhu Agarwal, Bronte Smith, Freddie Spry, Ava Talbot, mit Bill Nighy und Rhys Darby.

Deutscher Trailer

Über Ein klitzekleines Weihnachtswunder
Ein klitzekleines Weihnachtswunder basiert auf der charmanten Kinderbuch-Trilogie des beliebten, mehrfach ausgezeichneten Autors und Regisseurs Richard Curtis (Vier Hochzeiten und ein Todesfall, Notting Hill, Tatsächlich Liebe, Yesterday). Der Film erzählt eine Reihe zusammenhängender Geschichten über Familie und Freundschaft, Liebe und Einsamkeit und darüber, wie der Weihnachtsmann einen riesigen Fehler macht. Ganz zu schweigen von einer enormen Anzahl an Truthähnen! Diese rührende Komödie von Locksmith Animation ist das Animationsdebüt von Curtis, der als Drehbuchautor und ausführender Produzent fungiert. Zudem ist es das Spielfilm-Regiedebüt des renommierten Animationsveteranen Simon Otto (Love, Death & Robots, Drachenzähmen leicht gemacht-Filmreihe). Produzent*innen sind Nicole P. Hearon (Vaiana, Die Eiskönigin – Völlig unverfroren) und Adam Tandy (The Thick of It, Detectorists).

Berlin, 28. Oktober 2024 – Die Feiertage können ganz schön trubelig werden: Geschenke-Stress, der richtige Baumschmuck und dann noch das unberechenbare Wetter! Im beschaulichen Wellington-on-Sea ist dieses Jahr alles anders, denn ein gewaltiger Schneesturm kurz vor den Festtagen wirbelt die Leben der Bewohner*innen so richtig durcheinander und für den Weihnachtsmann heißt es, einen großen Fehler wiedergutzumachen. Da hilft nur noch ein Weihnachtswunder! In der charmanten Animationskomödie Ein klitzekleines Weihnachtswunder entfalten sich Geschichten über Familie, Freundschaft, Liebe und Einsamkeit – und einen großen Schnitzer, den sich Santa leistet.

Mit Ein klitzekleines Weihnachtswunder wird die gleichnamige Kinderbuch-Trilogie des vielfach für seine Drehbücher ausgezeichneten Richard Curtis (BAFTA-Preisträger, Oscar®-Nominierung) herzerwärmend verfilmt. Der renommierte Schweizer Animationsspezialist Simon Otto (Drachen zähmen leicht gemacht und Love, Death & Robots) feiert damit sein Spielfilm-Regiedebüt, während Locksmith Animation für die Produktion verantwortlich zeichnet, mit Nicole P. Hearon (Moana, Frozen) und Adam Tandy (The Thick of It, Detectorists) als Produzent*innen.

​Im ausführlichen Presseheft finden sich viele Interviews und Hintergrundinformationen zum Film. Eine Auswahl der charmanten Fun Facts:

  • In Ein klitzekleines Weihnachtswunder gibt zahlreiche Anspielungen auf die Schweizer Heimat des Regisseurs Simon Otto, u. a. Charlies Toblerone-förmige Schokolade, eine Schneekugel vom Matterhorn, Fotos von einer Reise in die Schweizer Alpen sowie ein Schweiz-Aufkleber auf dem Van der McNutts.
  • Das Armaturenbrett im Schlitten des Weihnachtsmanns zeigt an, dass er mit nur geringem Antrieb fahren kann – alle Rentiere bis auf eines können wegen der „Rote-Nasen-Grippe“ nicht laufen.
  • Der fiktive Ort Wellington-on-Sea ist nach Richard Curtis‘ Heimatstadt, der neuseeländischen Hauptstadt Wellington, benannt. Die Inspirationen für den Look der Stadt lieferten jedoch die kleinen Ortschaften Southwold, Walberswick und Halesworth in der Grafschaft Suffolk an der Küste Ostenglands.
  • Die Geschäfte in Wellington-on-Sea sind oftmals Hinweise auf frühere Projekte der Kreativen, zum Beispiel der Name des Lokals, „How to Drain Your Flagon“ (Simon Otto war Head of Character Animation der Drachenzähmen leicht gemacht-Trilogie, zu Englisch How to Train Your Dragon), der Metzgerladen „Bridget’s Bones“ (Richard Curtis hat die Drehbücher der ersten zwei Bridget Jones-Filme geschrieben) sowie des Vintage-Ladens About Time (der englische Titel des Richard-Curtis-Films Alles eine Frage der Zeit).
  • Für zauberhafte Szenen im Schnee wurden jeweils 200.000 Schneeflocken pro Shot animiert und für den ganzen Film insgesamt fast zwei Milliarden Flocken.

Aardman animation’s Nick Park and Merlin Crossingham | BFI in Conversation

Four-time Oscar-winner Nick Park created the characters Wallace and Gromit at film school. He would go on to direct Creature Comforts, Early Man and, with Peter Lord, Chicken Run. He is a director of Aardman Animations and one the world’s leading stop-motion animators and filmmakers. The multi-talented Merlin Crossingham has worked on many of Aardman’s greatest films and is Creative Director of Wallace and Gromit at Aardman. He is also the director, with Nick Park, of the forthcoming Wallace and Gromit adventure Vengeance Most Fowl. They will discuss their careers at Aardman and share their insights into this glorious form of animation.

https://www.wallaceandgromit.com/films/vengeance-most-fowl/

https://www.aardman.com/

The world’s best boss – Feathers McGraw is back with a vengeance. A brand new epic Wallace & Gromit family adventure, the first full length feature film in 19 years since BAFTA and Academy Award-winning The Curse of the Were-Rabbit. Coming to Netflix January 3, 2025. From the brilliant Aardman and four-time Academy Award®-winning director Nick Park and Emmy Award-nominated Merlin Crossingham comes Wallace & Gromit: Vengeance Most Fowl. In this next installment, Gromit’s concern that Wallace is becoming too dependent on his inventions proves justified, when Wallace invents a “smart” gnome that seems to develop a mind of its own. When it emerges that a vengeful figure from the past might be masterminding things, it falls to Gromit to battle sinister forces and save his master… or Wallace may never be able to invent again! Watch on Netflix: https://www.netflix.com/title/81351936

GODZILLA MINUS ONE – Godzilla 70th Anniversary Re-Release Trailer

Godzilla Minus One returns to theatres starting November 1, featuring in-theater exclusive VFX behind the scenes and Q&A with Academy Award winners Takashi Yamazaki and Kiyoko Shibuya. Get tickets: tickets.godzilla.com ©2023 TOHO CO., LTD. All rights reserved.

YOUNG EUROPEAN TALENTS FEATURE THEIR ANIMATION PROJECTS AT CARTOON SPRINGBOARD MADRID

From October 29th to 31st, Madrid will host the tenth anniversary edition of Cartoon Springboard, where young European animation talents will be pitching 22 film, series and web series projects. Designed as a training initiative for students and recent graduates of animation schools, the event combines pitching sessions with a program of lectures by renowned industry professionals. The shortlisted projects – mostly in-concept stage – will receive feedback and suggestions from a panel of experts to further advance their development. More than 170 participants – including talents, directors, animators, authors, writers, producers, directors, TV network executives, broadcasters, distributors and journalists – will engage in this activity that seeks to spur new European animation talents into the professional arena.

Spain leads this year’s selection with six projects, followed by France with five, Germany with three, and Belgium and Italy with two each, while Bulgaria, Denmark, Hungary and Ireland are present with one project per country. Format-wise, TV series are clearly in the majority with 14 works, followed by five web series, two feature films and one TV special. Projects aimed at children aged 5-11 and young adult / adult audiences represent 27% and 23% respectively. The remaining works are targeted at preschoolers (18%), family audiences (18%) and teenagers (14%).

Out of Tune – Direc­tor Ale­jan­dra Bouzón

Of the six projects from the host country, four come from institutions in Madrid – Universidad Carlos III, ECAM, U-tad Centro Universitario de Tecnología y Arte Digital, and UDIT – Universidad de Diseño, Innovación y Tecnología -, and one from L’Idem Barcelona. The French projects are by students or alumni of La Poudrière, Lycée Marie Curie and Emile Cohl, while the German projects are by talents from the Filmakademie Baden- Württemberg and Hochschule Darmstadt – University of Applied Sciences.
The selection also includes works by students from Italy’s Centro Sperimentale di Cinematografía and Bottega Finzioni, Denmark’s The Animation Workshop – VIA University College, Hungary’s MOME, and Ireland’s TUS Midlands. Two projects in the line-up are signed by alumni from non-European schools, specifically UK and Canada.

Prism, Search for the Sea – Direc­tor Nora Al-Shamery – (h-da Hochschule Darmstadt Mediencampus)

Organised by CARTOON, Cartoon Springboard is supported by Creative Europe – MEDIA and the Community of Madrid, the City Council of Madrid, and the Spanish Institute for Foreign Trade (ICEX). For the third year in a row, Cartoon Springboard will be held in Madrid, that will host the event for three more years following the collaboration agreement between CARTOON and the Community of Madrid and the City Council of Madrid. Among the 236 animation works submitted to Cartoon Springboard since its first edition in 2015, 14 have been completed and more than 80 are currently in development.

From Madrid to the screen

The Community of Madrid is home to 35% of the animation and VFX companies in Spain. Through its Culture, Tourism and Sport Regional Office, Madrid’s Community Government supports the development and production of animated series, short and feature films through different initiatives. The Madrid City Council is also actively involved in the city’s audiovisual industry.
Both the Community and the City Council support the four projects by graduates from Madrid educational institutions: “Chavales: la webserie”, “Out of Tune”, “Painting Illusions”, and “Battle of the Bands”. Five of the selected projects already have on board a production company partner for their development or production, including France’s Avec ou sans Vous (“Tulip”), Germany’s Wait a Second! (“Bernard & the Little Tiger” – working title), Ireland’s Jam Media (“Ultra Cat and Mega Dog”), and Spain’s Henfunk Studio (“Galiworld”) and PI Art Produccions (“Painting Illusions”).
Three of the projects were selected directly by Cartoon Springboard partner events: while “The Extra and Ordinary Adventures of Pod the Plankton” made it in the line-up through AFCA, “Zilìa” and “Ultra Cat and Mega Dog” were selected by Cartoons on the Bay and Animation Dingle, respectively. “a é i o u” and “The Extra and Ordinary Adventures of Pod the Plankton” will be presented in Madrid thanks to the support of France’s SACD – Société des Auteurs et Compositeurs Dramatiques, while “Welcome to Demonland” is supported by FWB – Fédération Wallonie-Bruxelles.

https://www.cartoon-media.eu/springboard/projects

The support of several institutions and companies made it possible for the following talents from Spain and France to participate in the event: Maria Luquero (ICEX), Rozenn Busson (Pictanovo), Laura Gougelet (Région Occitanie), and Marin Cadin and Angel Knowles (SudAnim).
With the aim of connecting the young talent attending the event with the local animation industry, Cartoon Springboard will host, the first morning of the event, a Job Fair in which 5 to 6 local studios will present themselves, including the job opportunities they offer, followed by a networking session between the young talents and company representatives.

Thinking about the future

Besides the pitching sessions, Cartoon Springboard features a programme with international experts who will discuss the latest trends and challenges facing European animation industry. Spain’s Rodrigo Blaas will open this 10th edition of the event with his masterclass “Back to the Garage Days”, about current creative challenges. Blaas began his career as an animator at Pixar and has been recognized for his work as director, showrunner and executive producer of “Tales of Arcadia Trilogy”, and for works such as the short film “Alma” or “Star Wars: Visions” episode “Sith”, produced by his company El Guiri Studios.
Within the conferences program, Perrine Gauthier – co-founder and producer of France’s La Cabane and Belgium’s Thuristar – will discuss the development of original IPs in the age of franchises, while Nick Dorra – producer of Finland’s Haruworks – will reflect on the challenges involved in the use of artificial intelligence in the animation sector. Finally, Belgian screenwriter Valérie Magis will deliver the conference “The Writing Odyssey: from a brilliant idea to distribution!”
The program will come to an end with a round table, “10 years of Cartoon Springboard: voices of the young generation”, in which Denmark’s Sif Savery, Spain’s Irene Chica and Germany’s Jan Gadermann – three young animation talents that have participated in previous editions of the event – will share their experiences and their upcoming challenges.

Bernard & the Lit­tle Tiger – Direc­tor Chris­t­ian Kaufmann

Led by Agnès Bizzaro as Head of Content, Cartoon Springboard’s panel of experts is composed of Iván Agenjo (Peekaboo Animation), Marta Alonso Lisbona (Teidees Audiovisuals), Dunja Bernatzky (arx anima animation studio), Nuria Blanco, Sara Cabras (RAI Kids), Carmen Córdoba González (La Chula Films), Manuel Cristóbal, Mark Cumberton (JAM Media), Ron Dyens (Sacrebleu Productions), Yago Fandiño (Radio Televisión Española – RTVE), Joaquín Garralda (Amazon MGM Studios), Enrique Gato (Lightbox Animation Studios), Valentin Greulich (Akkord Film), Anastasia Heinzl, Hyeo Jin Moon (Dandelooo), Jakub Kostal (Bionaut), Sarah Muller (BBC), Naléka N’Guessan (France Télévisions – FTV), Tania Pinto da Cunha (Pink Parrot Media), Lama Serhan (ARTE France), Mark Taynton (Adult Swim), Laurent Witz (ZEILT productions), and Stef Wouters (Haptic).

About CARTOON

CARTOON is an international non-profit association based in Brussels which organises a number of events focused on animation, including co-production and pitching events Cartoon Forum (Toulouse) and Cartoon Movie (Bordeaux), and three training events: Cartoon Springboard (Madrid), Cartoon Business (Brussels), and CartoonNext (Marseille).

Words for our Endos – Direc­tor Bian­ca Scali

James Cameron: Special Video Message at the SCSP AI+Robotics Summit

Three-time Academy Award-winning director James Cameron gives special remarks at the AI+ Robotics Summit.

The Special Competitive Studies Project’s AI+Summit Series is a set of high-level events dedicated to enabling rapid advancements in artificial intelligence (AI) as it transforms our country and becomes a keystone of our national security. The AI+Robotics Summit, the second in this series, took place on October 23, 2024, in Washington, D.C.

The purpose of the event is to chart a national strategy for leadership in AI-enabled robotics by convening innovation leaders to demonstrate technology directions, discuss policy implications, and identify the essential variables for U.S. competitiveness.

2025 David O. Selznick Achievement Award – Chris Meledandri

LOS ANGELES, CA — The Producers Guild of America (PGA) announced today that Chris Meledandri, founder and CEO of Illumination, will be honored with the 2025 David O. Selznick Achievement Award for his extraordinary producing accomplishments. He will accept the honor at the 36th Annual Producers Guild Awards on Saturday, February 8, 2025, at the Fairmont Century Plaza in Los Angeles.

The Producers Guild of America’s Selznick Achievement Award recognizes a producer for their outstanding body of work in motion pictures. Meledandri will become only the second animation producer in the history of the PGA to receive this prestigious honor. The Selznick Award has a rich and distinguished history, with past recipients including such legendary producers as Steven Spielberg, Barbara Broccoli, Mary Parent, Charles Roven, Brian Grazer, David Heyman, Kevin Feige, and most recently Martin Scorsese.

„The extraordinary vision and innovation Chris brings to animated feature films has not only captivated audiences of all ages but also been instrumental in reshaping the entertainment landscape,“ said Producers Guild of America Presidents Donald De Line and Stephanie Allain in a joint statement. „His hands-on, meticulous approach to producing has resulted in the rare accomplishment of record-breaking films and beloved franchises. We are proud to honor Chris with this prestigious award as a leader in both the animation industry and our industry as a whole.“

Meledandri stated, “Being recognized by my peers with the David O. Selznick award is one of the most meaningful moments in my career. However, it makes me realize how much more I have to accomplish in my third act to earn an association with this legend. His influence on the artistry of motion pictures remains one of the most profound in cinematic history. I learned about life sitting in dark theaters, witnessing the magic of cinema—images that would shape my entire journey. Early in my career, I was fortunate enough to work with legendary filmmakers who taught me the intricacies of storytelling, production, and connecting with an audience. Their mentorship laid the foundation for everything I do today, instilling in me a deep appreciation for the craft and the collaborative effort it requires. My accomplishments in this industry have been enabled by countless filmmakers, artists, crew members, actors, studio colleagues and my fellow producers. I am deeply grateful to the PGA for this honor.“

A pioneer in the entertainment industry, Meledandri is known for some of the most successful and highest-grossing animated films and franchises of all time. Since founding Illumination in 2007, Meledandri has produced 15 feature films. Among these films are the four Despicable Me movies and two Minions movies, which comprise the most successful animated franchise in history, and the record-breaking The Super Mario Bros. Movie.

Driven by the goal of uniting audiences of all ages globally and making an enormous impact on culture, Meledandri has reshaped the animation landscape by introducing beloved, unforgettable characters that have become ingrained in the pop culture zeitgeist. One of the most remarkable aspects of Meledandri’s work is his ability to transcend the screen, creating stories that form deep emotional connections and inspire passionate fandom. Illumination’s films strike the perfect balance between being subversive and emotionally engaging, allowing them to resonate far beyond the theater. This unique approach has not only resulted in box office success—grossing nearly $11 billion worldwide—but also earned critical acclaim, including an Academy Award nomination and several PGA Award nominations.

Meledandri’s producing credits include Despicable Me, The Lorax, Hop, Minions, The Secret Life of Pets, Sing, The Grinch, The Super Mario Bros. Movie and Migration. Before founding Illumination, which has an exclusive financing and distribution partnership with Universal Pictures, Meledandri was President of 20th Century Fox Animation, where he executive produced some of the studio’s most popular films, including the Ice Age films, Robots, and Horton Hears a Who. Meledandri also executive produced Cool Runnings. Upcoming Illumination films include Minions 3 and a new animated film based on the world of Super Mario Bros.

Sponsors of the 2025 Producers Guild Awards include Cadillac, the Official Vehicle, Delta Air Lines, the Official Airline, Glenfiddich Scotch Whisky, and GreenSlate.

David O. Selznick Award

BYU Animation „Student Accomplice“ Wins Student Academy Award

„Student Accomplice,“ a fast and funny BYU animation about a driving test that is interrupted by a bank robber, won a Student Academy Award during an Oct. 14, 2024, ceremony in London. The film, created by a team of more than 30 BYU students led by BYU student Spencer Baird (director) and recent BYU grad Brielle Hansen (producer), won a Bronze Award in animation, a category where BYU was the only U.S. university to receive the prestigious nomination. Because it is still under consideration for other awards, „Student Accomplice“ is not yet released to the public.

https://www.byu.edu/

BYU News,Writer Tyler Stahle:

Pedal to the medal: BYU animated short film races to Student Academy Award In a thrilling ride of creativity, BYU animation students blend humor and storytelling in an animated film that wins a Student Academy Award.

A short film created by BYU animation students was recognized as a Student Academy Award bronze winner recently at an event in London. BYU is the first school from the U.S. to win a Student Academy Award since the competition went international. The film, “Student Accomplice,” depicts a nervous teenage girl taking her driving test with an old, placid driving instructor. The test goes awry when a bank robber hijacks the car to elude the police. Viewers enjoy the ride-along view inside the car as the flustered robber urges the girl to leave the police behind while the perplexed instructor looks on. Directed by BYU animation student Spencer Baird and produced by Brielle Hansen, the film is full of sharp twists of laughter and suspense. “We had lots of opportunities to be creative with ‘Student Accomplice,’ which was fun for us,” Baird said. “There’s a lot of hilarity and complexity layered in. It’s fast-paced in a very delightful way.” The award is another recognition for BYU’s highly decorated animation program. Earlier this year, the student film “The Witch’s Cat” won a Student Emmy. But bringing “Student Accomplice” to life presented a bigger challenge than any previous film. Animating an entire city was a heavy lift, and students were forced to design a large set and pay particular attention to details in the backgrounds of the various scenes. “To make a city look full and lived in, we couldn’t get away without background characters and filling the city with lots of interesting things and background cars,” Hansen said. “All of those details, like trash on the sidewalk and leaves flying through the air, made it feel realistic.” More than 30 students contributed to the film — skills from animation, design, commercial music and computer science played crucial roles to bring more than 7,000 individual images together in a cohesive animation. “Everything from the design of things, the lighting and texture and the effects that are in the film comes together in a beautiful way that’s pushed boundaries for what our student films have done,” said BYU animation professor Nathan Lindsay. “I think it catches the eye of the industry because we’re doing things that take a big team to accomplish, and it’s not normal for students to pull off something of this caliber.” Hansen says the recognition BYU animation students and graduates receive in the filmmaking industry is a reflection on the values of the university and the environment in which they study, where faith and inquiry are complementary. “There were a lot of faith-filled actions that we took, like not working on Sunday and having prayer before our meetings,” she said. “It was small and simple things that we did together over a year and a half. We had so much fun, and it was so special.” Baird says he’s grateful for the expert animation faculty at BYU such as Lindsay and Kelly Loosli, who are widely recognized industry professionals, for giving them hands-on opportunities to take the lead on projects. “I think that says a lot about the faculty. They trust us and they trust in the process. They trust us as students and our work ethic to bring our talents to the table.”

Natalie Holt – TVA (From „Loki“)

Marvel Studios’ “Loki” features the God of Mischief as he steps out of his brother’s shadow in a new Disney+ series that takes place after the events of “Avengers: Endgame.” Tom Hiddleston returns as the title character, joined by Owen Wilson, Gugu Mbatha-Raw, Sophia Di Martino, Wunmi Mosaku and Richard E. Grant. Kate Herron directs “Loki,” and Michael Waldron is head writer.

Film Stop: Blender Vs. Maya

Film Stop: In this video I compare Blender with Maya. These are two of the best 3D packages, and by the end of this video, you’ll be able to decide which one is right for you.

I also used clips from Elbert With An E, Pranjal Choudhary, AnimSebs, InspirationTuts, The C Sharp Programmer, David P – Digital Art, The Gnomon Workshop, Inc Saimon, Sefki Ibrahim, Autodesk, Art Bully Productions, Chris R, and of course my own channel. Thanks to all of these awesome creators for their amazing work!

‚Memoir of a Snail’ with Adam Elliot & Jacki Weaver | Academy Conversations

‘Memoir of a Snail’ Academy Conversation with:

Adam Elliot (Director, Writer, Producer) Jacki Weaver (Cast)

Moderator: Carlos Aguilar

Grace Pudel is a book-loving, snail-collecting misfit that falls into a series of misfortunes after being separated from her twin brother Gilbert. Despite her hardships, inspiration and hope arise when Grace begins a friendship with an eccentric elderly woman named Pinky. #

From Academy Award-winning writer and director Adam Elliot, Memoir of a Snail is a heartfelt and hilarious chronicle of the life of an outsider finding her confidence and silver linings amongst the clutter of everyday life.

Starring: Sarah Snook, Eric Bana, Kodi Smit-McPhee

Director: Adam Elliot

One Piece Fan Letter | Bande-annonce officielle VOSTFR | Netflix France

Deux ans après la Guerre au sommet, dans l’archipel des Sabaody, une jeune fille débordant d’admiration pour Nami se lance dans une aventure. ONE PIECE FAN LETTER, un épisode spécial inspiré de „One Piece Roman – Histoires de l’équipage“ de Tomohito Ohsaki, est disponible dès maintenant sur Netflix !

5 WORLDS – Teaser

Five Worlds. Three young heroes. One last hope. Gods have disappeared, and wars between the worlds are just a matter of time. An evil being, the Mimic, is lurking in the shadow, creeping into every layer of society, heightening tensions between the people and choking out vital ressources…. Interplanetary peace seems to hold by a thread. The only way to restore the lost harmony between the planets? Using the sand from each world to light five mysterious beacons…. Facing down old ways, bad leaders, and one terrifying foe, three unlikely heroes will become the key to save the five worlds from the brink of destruction.

Täglich einen Kurzen: „coldplay – feelslikeimfallinginlove“ by Raman Djafari

UK Music Video Awards 2024 – ukmva 24 – Best Animation in a Video

winner:
coldplay – feelslikeimfallinginlove
animators: tokay, dante zaballa, martin robic, kinemus, jack zhang, niki lindroth von bahr, moera.cf, gaia esther maria, aaron fisher, karlotta freier, raman djafari, isabel garrett, hannah van der weide, kohana wilson, ram han
director: raman djafari
production co: blinkink
record co: warner music

CREDITS
Prod Co – Blinkink @blink_ink
Director – Raman Djafari @ramandjafari
Executive Producer – Josef Byrne
Head of Production – Alex Halley @alexhalley
Producer – Alexander Handschuh @alexhandschuh_
Co-producer – Jon Mealing @jonmealing
Commissioner – Sam Seager @seagez

ANIMATION COLLABORATORS
(in order of appearance)
Tokay – @tokay.tv
Dante Zaballa – @dantezaballa
Martin Robic – @robic.martin
KINEMUS – @kinemus.feed
Jack Zhang – @animate_jack
Niki Lindroth von Bahr – @niki_lindroth_von_bahr
Moera.cf – @moera.cf
Gaia Esther Maria – @gaiaesthermaria
Aaron Fisher – @aaronfisherdesign
Karlotta Freier – @karllikesotto
Raman Djafari – @ramandjafari
Isabel Garrett – @isabelamelia.garrett
Hannah van der Weide – @hannah.frogs
Kohana Wilson – @kohana.wilson
Ram Han – @ram__han

Lead Compositor: John Malcolm Moore @johnmalcolmmoore
Compositor: Rob Ward @pliskin97
Comp assist: Maria Cecilia Tedemalm
Compositor: Simon Lucas Howe
Compositor – Simone Ghilardotti
Sound design – Ultraherz (Christoffer Jarlbak Overgaard) @ultraherz__
Storyboard artist – Jacob M Wolf @jacobmwolf_illustration
Storyboard artist – Joe Totti
Animatic editor – James Barber
Edit Assist – Calum O’Toole @cal.gorithm
Colourist – Andi Chu @andikdc
Colour Producer – George Blomiley @gblomers

ANIMATION TEAMS
Tokay: @tokay.tv
DOP: Marco Jörger @marcojoerger
Set/props: Konstantin Rosshoff @imkr.png
Set/props: Julia Estrada @goolzh
Dante Zaballa: @dantezaballa
Martin Robic: @robic.martin
Add Animation – Louis Fourel
Thanks Pauline Guitton & Rodrigo Goulao de Sousa
KINEMUS: @kinemus.feed
Toby Auberg
Michelle Brand
Jack Zhang: @animate_jack
Additional Animator: Alejandro Edgar @alejandroedgarani
Niki Lindroth von Bahr: @niki_lindroth_von_bahr
Set: Nicklas Nilsson
Animation: Johanna Schubert
3D print: Nicolas Maurice
Intern: Jesper Admund Funck
Moera.cf: @moera.cf
Assist animator: Thierno Bam
Gaia Esther Maria: @gaiaesthermaria
Aaron Fisher: @aaronfisherdesign
Karlotta Freier: @karllikesotto
Animators: Pauline Guitton & Marion Boisrond
Raman Djafari: @ramandjafari
Isabel Garrett: @isabelamelia.garrett
Art dir: Cat Johnston
Modelmaker: Rachael Olga Lloyd
DOP: Ronnie McQuilla
Animator: Andy Biddle
Animator: Mai Nguyen
Rigging: Robin Jackson
Prop assist: Hannah Cooper
Studio: Clapham Road Studios
Hannah van der Weide: @hannah.frogs
Kohana Wilson: @kohana.wilson
Ram Han: @ram__han
Clean up/character: MyeongJun Kim Read more

Kontakt

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