Annecy 2020 Online is ON! – Opening-Greetings from WES ANDERSON

The Annecy Festival and Mifa team are excited to provide a unique experience to share with you this year; our unprecedented and entirely online 2020 edition to adapt to the current circumstances. This is an exceptional opportunity to participate in the Festival and enjoy the best of animation at home, wherever you are!

The Festival will heartily blow out their virtual 60th candle with the entire connected community of animation enthusiasts and professionals, whilst we wait to meet you in flesh and blood in Annecy, in 2021, and properly celebrate this milestone birthday, and pay tribute to animation from the African continent.

Most of the 2020 Official Selection is available now and until 30th June. You can also access unique and exclusive content, as well as our usual formats, for a fortnight full of exchanges and wonderful discoveries!

And we have a surprise to open the festivities: the filmmaker Wes Anderson, whom we announced as this year’s honorable guest, is not here physically but he did want to share a few words with us!

And now, let’s go and celebrate animation film: we hope you have a rich, vibrant and animated two weeks!

Welcome to Annecy 2020 Online and have a great Festival everyone!

 

ANNECY 2020 ONLINE : Pitching – Territory Focus Focus on Tokyo – FEATHER VR by Tetsuya Ohashi, CinemaLeap Inc.

https://www.annecy.org/programme/index:plng-100001502776

Reserve a meeting with the project leaders between Monday 15th June, 11 :00 am and Tuesday 16th June, 9 :00 am, and join them on Tuesday 16th June at 11:00 am-1:00 pm (Central European Time – CET).

This session will focus on the development of Tokyo’s animation industry. Five celebrated Tokyo-based animation studios showcase their newest works!

Annecy 2020: Free Access to Content

From 15th to 30th June, the International Animation Film Festival and Market will take place entirely online for the first time ever, as a result of the Covid-19 pandemic. More than 200 films in the Official Selection (competition, special programmes, Best of…) Masterclasses, Making of and virtual stands, all of this content is accessible with a paid accreditation.

However the Annecy team is offering free access to a few of these.

Check them out!

2020 Official Selection, Commissioned Films

Join us on our YouTube channel from 15th June to watch music videos, commercials or selected corporate films!

2020 Official Selection, VR Works

In partnership with HTC Vive, these will be accessible on the Viveport platform:

  • Minimum Mass: immersive/interactive, in full
  • Saturnism: 360° video in full
  • L’Abeille et l’Orchidée: 360° video in full
  • BattleScar: 360° trailer only
  • Odyssey 1.4.9: 360° video – trailer only
  • Ajax All Powerful (Quest APK): 2D extract/music video

> Watch it here

Fascinating Festival Meetings

Meetings with the Greatest!

Important: all times are Central European Summer Time, Paris (CEST)

Monday 15th June
6:00 pm | The Hangman at Home (WIP XR)
Live session, then on replay on Annecy Online, in the presence of:
Katayoun Dibamehr, Producer / Floréal Films
Lana Tankosa Nikolic, Founder, Producer / Late Love Production
Michelle and Uri Kranot, Writers, Directors
Romain Soulié, CEO / Studio Nyx

Tuesday 16th June
2:00 pm | No Dogs or Italians Allowed (WIP Feature)
Live Q &A, in the presence of:
Alain Ughetto, Director
Enrica Capra, Producer / Graffiti Doc
Ariane Ascaride, Actress / Agence Zelig
Jean-Marc Ogier, Set Decorator
Camille Rossi, 1st Assistant Director, Storyboarder
Alexandre Cornu, Producer / Les Films du Tambour de Soie

7:00 pm | Wolfwalkers (WIP Feature)
Live Q &A, in the presence of:
Tomm Moore, Director / Cartoon Saloon
Ross Stewart, Director / Cartoon Saloon
Maria Pareja, Production Designer / Cartoon Saloon

Wednesday 17th June
14h00 | Mum is Pouring Rain (WIP Special)
Live Q &A, in the presence of:
Hugo de Faucompret, Write-Director
Ivan Zuber, Producer / Laïdak Films
Antoine Liétout, Producer / Laïdak Films

6:00 pm | Animal Crackers (Making of)
Live Q &A, in the presence of:
Tony Bancroft, Director
Scott Sava, Director

Thursday 18th June
2:00 pm | The Island (WIP Feature)
Live Q &A, in the presence of:
Anca Damian, Director, Producer

5:00 pm | Conversation with Dean DeBlois (Masterclass)
Live session, then on replay on Annecy Online, in the presence of:
Dean DeBlois, Writer, Director / Anvil Production
Peter Debruge, Chief Film Critic / Variety

Friday 19th June
2:00 pm | The Summit of the Gods (WIP Feature)
Live Q &A, in the presence of:
Patrick Imbert, Director

6:00 pm | Conversation with Ron Clements & John Musker (Masterclass)
Live session, then on replay on Annecy Online, in the presence of:
John Musker, Writer, Director
Ron Clements, Writer, Director
Frank Gladstone, Executive Director / ASIFA Hollywood

Monday 22th June
2:00 pm | Sexual Violence in Animation by the Blies Brothers (Masterclass)
Live Q &A, in the presence of:
Stéphane Hueber-Blies, Writer-Director / A_BAHN
Nicolas Blies, Writer-Director / A_BAHN

6:00 pm | Moominvalley (Making of)
Live session, then on replay on Annecy Online, in the presence of:
Marika Makaroff, CEO / Gutsy Animations

Tuesday 23th June
6:00 pm | Baba Yaga (WIP XR)
Live Q &A, in the presence of:
Eric Darnell, Director and Co-Founder/CCO / Baobab Studios
Mathias Chelebourg, Co-director / Baobab Studios
Shannon Ryan, Development Producer / Baobab Studios
Ken Fountain, Animation Supervisor / Baobab Studios

Thursday 25th June
14h00 | My Love Affair with Marriage (WIP Feature)
Live Q &A, in the presence of:
Signe Baumane, Writer, Director, Animator, Producer / The Marriage Project LLC
Sturgis Warner, Producer, Script Advisor, Set Builder, Lighting Designer / The Marriage Project LLC

Don’t miss anything on this incredible programme, it’s all here

If this taster has whet your appetite, get your accreditation and take advantage of the entire offer!
Two Formulas:

Festival Offer

15th to 30th June, the best of creation with Annecy 2020 Online, for only 15 euros VAT incl.
All the content (Official Selection, Work in Progress, Masterclasses, Making of & Preview, and animated surprises) are accessible on a special platform where you can watch them wherever you are!
> Discover the Festival offer
> Get my accreditation

Mifa Offer

Let’s talk business, the film Market allows you to exchange, network, meet, negotiate and make acquisitions.
Remember, the Mifa accreditation (110 euros VAT incl.) also gives you full access to all the Festival content: Official Selection, exclusives, WIP, Making of, Masterclasses, etc…, and all this, for 15 days!
> Discover the Mifa offer
> Get my accreditatio

 

The Snail And The Whale: Animating The Water – Creative Direction

Magic Light Pictures is an award winning brand-building and production company. We create rich and imaginative experiences for families worldwide. Producers of The Gruffalo, The Gruffalo’s Child, Room on the Broom and Chico & Rita, our YouTube channel is home to exclusive content and lots more. Here’s how to get in touch with us: https://www.magiclightpictures.com/

CROSSING SWORDS – Official Trailer – Sony Pictures Television

ABOUT CROSSING SWORDS: From the producers of Robot Chicken, Crossing Swords follows a goodhearted hero wannabe named Patrick, who lands his dream job as a squire, only to learn the royal castle is a corrupt hornet’s nest of horny monarchs, crooks, and charlatans. War, murder, full-frontal nudity—who knew brightly colored peg people led such exciting lives?

DreamWorks Animation’s „To: Gerard“ Trailer

https://www.dreamworks.com/

In DreamWorks Animation’s new animated short, ‚To: Gerard,‘ writer/director TAYLOR MEACHAM pens a love letter to his father—one that unifies his love for animation and the art of illusion—to tell a heartfelt story about how life’s greatest magic is inspiring someone else to follow their dreams…even if you haven’t achieved your own.

 

WOMEN IN ANIMATION VIRTUAL SUMMIT AT ANNECY

WOMEN IN ANIMATION (WIA) ANNOUNCES PROGRAM FOR FIRST-EVER

“WOMEN IN ANIMATION VIRTUAL SUMMIT” IN COLLABORATION WITH ANNECY INTERNATIONAL ANIMATION FESTIVAL’S 2020 ONLINE EDITION

Speakers will share their experiences and thoughts surrounding the theme,

Reimagining the Future: Race, Solidarity and the Culture of Work”

June 11, 2020 – Los Angeles — Women in Animation (WIA) is pleased to announce the program for the first-ever WOMEN IN ANIMATION VIRTUAL SUMMIT, in conjunction with this year’s digital version of Annecy International Animation Festival and Mifa 2020, Annecy 2020 Online. The theme of this year’s Summit is “Reimagining the Future: Race, Solidarity and the Culture of Work.” This year’s Summit covers two world-shaking topics–the pandemic and the recently reinvigorated global call for social justice–and their momentous effects on the animation industry.

The Women in Animation Virtual World Summit will post exclusively on Annecy Online on Wednesday, June 17th and be available for Festival and Mifa badgeholders to view for the rest of the two-week festival. WIA will also make the Summit available to their members and more widely at a later date.

Commenting on the theme of the Summit, Women in Animation President Marge Dean said, “The world discourse suddenly shifted when we all saw George Floyd brutally murdered by police in Minneapolis, USA. We knew that we needed to pivot from our original program for the World Summit at Annecy to address the issues of work, race and solidarity. We are using this global platform to give women of color the opportunity to talk about their experiences and how they see that the animation industry needs to change in order to be fully diverse, inclusive and humane.”

Producer Jinko Gotoh, who also serves as WIA’s Vice President, was integral in gathering innovative panelists to participate in the summit. She adds, “Animation is a platform to share all kinds of stories and messages. In today’s world, we need authentic voices from people of color now more than ever.

The Me Too movement finally broke the silence around sexual discrimination. I truly hope that the current movement for social justice does the same for anti-blackness and racism.”

Part One of the Summit will open with WIA President Marge Dean welcoming

viewers and introducing the summit theme about what the future of animation could look like, based on a pronounced shift to focus on racism and solidarity in our industry and in the world at large. Part One will feature the following panels:

Black Women in Animation: Looking to the Future (70 minutes)

Moderator: Jamal Joseph (Professor of Film, Columbia University; Producer/Director/Writer/Activist)

Speakers: Jade Branion (Writer), Camille Eden (Vice President of Animation Recruitment and Talent Development, Nickelodeon Animation Studio), Misan Sagay (Screenwriter, Netflix), Karen Rupert Toliver (Executive Vice President of Creative, Sony Pictures Animation)

Panel Description: Led by moderator Jamal Joseph, this panel is anchored in personal stories and experiences. The discussion will also address being colorblind versus color affirmative, the importance of finding voice on both the executive and creative side, and the overarching power of animation to make an impact, given the freedom of imagination to create more ideal and more representational worlds.

Intersectionality and Solidarity (60 minutes)

Moderator: John Agbaje, (Director of Animation & Development, FX Networks)

Speakers: Julie Ann Crommett (VP, Multicultural Audience Engagement, The Walt Disney Studios; Secretary of WIA), Erika Dapkewicz (Lead Editor, Sony Pictures Animation), Shari B. Ellis (Production Manager, Gaumont Animation), Kaitlyn Yang (Founder, Alpha Studios)

Panel Description: As we live through what seems to be the largest civil rights protest in human history, we see the value of intersectional solidarity in this movement, and that the shared experience of struggle in the system, support and solutions can help each other thrive. This discussion will cover a wide range of life experiences, allyship in action, and lessons about effective solidarity.

After the first two panels, WIA President Marge Dean will introduce viewers to Part Two of the summit, focused on changes brought about by virtual collaboration as forced into play during a pandemic. Part Two will unfold as follows:

 

Artists Creating from Home: A Series of Home Studio Visits (Preview/5 mins)

A collection of pre-recorded clips offering a glimpse into artists workspaces from around the world.

Producing in a Rapidly Changing World (60 minutes)

Moderator: Jinko Gotoh  (Vice President of WIA, Producer for Netflix;)

Speakers: Rita Mbanga (Producer, Sandcastle Studios/Sunrise Productions), Carina Schulze (Chatrone Partner; Executive Producer/Writer), Osnat Shurer (Producer, Walt Disney Animation Studios), Christina Lee Storm (Founder, Asher XR), Niki Lopez (Creator & Co-Executive Producer, Nickelodeon)

Panel Description: Women leaders from various disciplines in the industry will share their perspectives and best practices in a world challenged by pandemic.

Artists Creating from Home: A Series of Home Studio Visits (75 mins)

A collection of pre-recorded clips offering a glimpse into artists workspaces from around the world.

The Women in Animation Virtual Summit is made possible with the ongoing support of WIA’s Global Fund partners: WIA Leadership Circle donors (in alphabetical order): Darla Anderson & Kori Rae, Animal Logic, Autodesk, Netflix, Nickelodeon, Otter Media (a WarnerMedia company, home to Crunchyroll, Rooster Teeth and VRV), Reel FX Animation Studios, Sony Pictures Animation/Sony Pictures Imageworks, Universal/Illumination/DreamWorks Animation and The Walt Disney Company (including Walt Disney Animation Studios, Blue Sky Studios, Pixar Animation Studios, Industrial Light & Magic, Lucasfilm, Disney Television Animation, Disney Channel and Disney Junior, among others), Warner Animation Group/Warner Bros. Animation, WarnerMedia; WIA Partners Circle donors (in alphabetical order): Electronic Arts (EA), Jinko Gotoh, Nicole Grindle, Lord Miller, Molly Mason-Boule, Mythos Studios, Mark & Kim Osborne, Pearl Studio, Skydance Animation and Virtuos; WIA Supporters Circle donors (in alphabetical order): Bad Robot, Kristine Belson, Cinesite, Gail Currey, GKIDS, Locksmith Animation, Nexus Studios, Paramount Animation, SideFX, SPA Studios and Stoopid Buddy Stoodios; and WIA Friends donors (in alphabetical order): Allison Abbate & Tony Cervone, Tamara Boutcher, Duncan Studio, Warren Franklin, Pam Marsden, Rideback, and Catherine Winder.

 

ABOUT WOMEN IN ANIMATION: 

Women in Animation (WIA) envisions a world in which women share fully in the creation, production and rewards of animation, resulting in richer and more diverse entertainment and media that move our culture forward. The mission of WIA is to bring together a global community of animation professionals to empower and support women in the art, science and business of animation by increasing access to resources, creating opportunities for education, encouraging strong connections between individuals, and inspiring excellence. For more information or to join WIA, please visit http://www.womeninanimation.org or follow on Facebook, Twitter, LinkedIn or Instagram.

 

Assets for the Women in Animation Virtual Summit can be found here.

 

OOOPS 2! – LAND IN SICHT | Offizieller Teaser

INDAC EMPFEHLUNG: „WIR RATEN AB!“

Aufgrund massiver und durchaus heftiger Angriffe aus dem Umfeld der Produktion, sehen wir hier von einer weiteren, direkten Berichterstattung über diesen Film ab und werden ihn nicht dem Publikum zum Besuch empfehlen.

Ich hatte mir erlaubt, den englischsprachigen Trailer hier zu posten versehen mit dem Kommentar: „Der internationale Trailer zu „Ooops!… Land in Sicht“ weist gegenüber dem arg Preschool-orientierten deutschen Teaser vom 12. Juni doch schon wohltuend etwas mehr Story auf. Sind wir mal gespannt!“

Das reichte aus, um einen beleidgenden, rüden und darüberhinaus auch noch unwahren Kommentar auf Linked In zu zeitigen, der geliked wurde, dem aber nicht widersprochen wurde.

Dieser Kommentar wurde übers WE zwar leicht abgeschwächt und relativiert, allerdings wurde auf persönliche Nachfrage meinerseits keinerlei Interesse an einer Aussprache oder Diskussion signalisiert. Im Gegenteil wurde die erste Aussage nochmals persönlich bekräftigt. Na denn!

Meine persönliche subjektiven Vermutung: Bei dieser Produktion scheint wohl einiges im Argen zu liegen, wenn Artists bereits derartig sensibel reagieren, wenn ich es mir erlaube, den internationalen Trailer zu posten.

Wohlgemerkt, das Wording des Kommentars wurde abgeändert, die Personen, die den Kommenatr geliked haben, teilen also auch diese Meinung. Keiner vertrat eine gegenläufige Meinung oder meinte, Einspruch erheben zu müssen.

Meinungsfreiheit scheint hier jedenfalls nicht erlaubt zu sein! Stattdessen erhielt ich wieder gleich verschiedene Emails von beteiligten, betroffenen  Artists an der Produktion, deren Inhalt ich natürlich mal wieder nicht auf dem Blog teilen darf, die aber inhaltlich meinen subjektiven Eindruck leider bestätigten.

Ergo raten wir jedenfalls von einem Besuch dieser Produktion massiv ab!

Stay safe!

Johannes Wolters

 

Myth: A Frozen Tale l VR Short l Trailer

https://www.oculus.com/blog/original-vr-short-myth-a-frozen-tale-from-walt-disney-animation-studios-available-now-on-oculus-quest-/

Step into the world of Frozen 2 with Walt Disney Animation Studios’ newest virtual reality short, “Myth: A Frozen Tale,” available now only on Oculus Quest: http://di.sn/6003GHf4B.
See more from official Disney Animation:
Welcome to the official Walt Disney Animation Studios YouTube channel! There’s much from the archive that we want to share, while also giving you glimpses into our current studio–a dynamic place full of fresh voices and talent. Become a subscriber today!

Täglich einen Kurzen: „Nutag – Homeland“ von Alisi Telengut

A poetic, hand-painted animation explores notions of diaspora and homeland to reflect on the tragic mass deportations of the Kalmyk people during World War II. | SHORT FILM | Runtime: 6:00 Directed by Alisi Telengut Will be available on VOD 7 days after first showing Curated by Sundance Film Festival

To donate, click the donate button next to the video or click here: http://covid19responsefund.org/weareone For full festival schedule, go to http://www.weareoneglobalfestival.com

We Are One: A Global Film Festival is a 10-day online festival, exclusively on YouTube. Discover and watch films during this first ever global film festival co-curated by over 20 film festivals from across the world. All funds raised during the festival will benefit COVID-19 relief funds. #WeAreOne #AtHome #WithMe

Täglich einen Kurzen: Cuphead in „NERVOUS“ von Max Iwerks

Cuphead in „NERVOUS“ a new Parody Vintage Cartoon Humor Comedy Animation Funny Video Game Gamer #Cuphead #Funny #BettyBoop

Directed by Max Iwerks

Animation by Bud Scribner

Backgrounds by Fritz Crandall

Cuphead: Jack Beauchamp

Cuphead is a 2017 run and gun video game developed and published by StudioMDHR. The game was inspired by the rubber hose style of animation used in cartoons of the 1930s, such as the work of Fleischer Studios and Walt Disney Animation Studios, and sought to emulate their subversive and surrealist qualities. Cuphead features one or two players taking control of animated characters Cuphead and his brother Mugman to fight through several levels that culminate in boss fights, in order to repay their debt to the devil. The game was praised for its art style and noted for its challenging difficulty. It was both a critical and commercial success, winning several awards and selling over five million copies within two years. An animated series based on the game is in production by Netflix. Betty Boop is an animated cartoon character created by Max Fleischer, with help from animators including Grim Natwick. She originally appeared in the Talkartoon and Betty Boop film series, which were produced by Fleischer Studios and released by Paramount Pictures. She has also been featured in comic strips and mass merchandising. A caricature of a Jazz Age flapper, Betty Boop was described in a 1934 court case as: „combin[ing] in appearance the childish with the sophisticated—a large round baby face with big eyes and a nose like a button, framed in a somewhat careful coiffure, with a very small body of which perhaps the leading characteristic is the most self-confident little bust imaginable“. Despite having been toned down in the mid-1930s as a result of the Hays Code to appear more demure, she became one of the best-known and popular cartoon characters in the world.

_______

Goon Cartoons makes original short films, comedy, humor, animation, cartoons, pencil tests and experimental films. Goon Cartoons‘ original animated properties include: Buck Billy, Cletus and Floyd, Cosmic Kandi, Tuckertime, Ronnie The Magical rainbow, Butterfly Unicorn, The Super Ultra Mega Squad, Sorry Mom and more. We also make comedic video essays and reviews about animation, entertainment, and the media. If you’re a fan of Adult Swim, you’ll like us. Our Creators include: Frank Forte, Tom Connor (Venture Brothers, Mike Tyson Mysteries), Gene McGuckin (Ren and Stimpy, Foster’s Home for Imaginary Friends), Jim Smith (Ren and Stimpy, The Ripping Friends) and many other animation pros (and cons). Frank Forte’s film and TV Credits include: Solar Opposites, 3 Below, Bob’s Burgers Despicable Me 2, The Emoji Movie, Lego Star Wars: The Empire Strikes Out, The Super Hero Squad Show, HI HI PUFFY AMI YUMI and many more. SUBSCRIBE for updates, we upload a new cartoons 4-5 times per week. GOON CARTOONS is a proud member of CHANNEL FREDERATOR

#animation #cartoons #comedy

Kontakt

Wir sind erreichbar! Seid nicht schüchtern, schreibt uns oder schickt uns eine Zeichnung.