Congratulations!!! True Animation History: 2017 Sci-Tech Awards: Carl Ludwig, Eugene Troubetzkoy and Maurice van Swaaij

Leslie Mann and John Cho present Technical Achievement Awards to Carl Ludwig, Eugene Troubetzkoy and Maurice van Swaaij for the pioneering development of the CGI Studio renderer at Blue Sky Studios.

Die INDAChs Kritik von Agon Ushaku zu Blue Skys ICE AGE – COLLISION COURSE

Ice Age 5 – Kollision Voraus!

Als großer Fan der bekanntesten und lustigsten „Herde“ von Animationsfilmen, war ich hin und weg und sehr froh, dass es damit weitergeht. Ice Age vom talentierten Team von BlueSky ist mittlerweile ein Markenzeichen und hat sich einen festen Platz als bislang größtes Franchise erobert – nicht nur von BlueSky sondern aller 3D-Animationsfilme überhaupt.

Es hat mich immer begeistert, dass die Qualität in allen bisher erschienen vier Teilen so hochgehalten wurde – das ist keineswegs selbstverständlich, und viele andere sind an dieser Aufgabe gescheitert. Leider hat der neueste, fünfte Teil dieses Lob zumindest im Hinblick auf die erzählerische Qualität nicht ganz verdient. Seine Geschichte hat durchaus Potenzial, aber in vielen Bereichen wirkt sie erzwungen. Was nicht passte, wurde passend gemacht. Das macht Ice Age 5 zu einem waschechten Kinderfilm. Ältere Zuschauer würden sich mehr Tiefe in den Charakteren wünschen.


Agon Ushaku

Aber obwohl ich „Ice Age 5 – Kollision Voraus“ für den schwächsten aller bisher erschienenen Teile halte, hat er durchaus Momente, die den Zuschauer amüsieren und mehrfach auch lauthals zum Lachen bringen. Ebenso gibt es einige spannende Szenen – und vor allem wunderschöne Bilder. Ihnen ist klar anzusehen, dass neueste und fortgeschrittene Techniken wie Partikel-Effekte und Physik-Simulationen verwendet wurden. Auch die Animation und vor allem die Mimik der Hauptfiguren ist noch detaillierter als in den bisherigen Teilen, was ihre Gefühlsregungen und optischen Details noch klarer sichtbar macht.

Für Fans der Serie ist „Ice Age 5 – Kollision Voraus“ aber natürlich ein Muss. Sie sehen liebgewonnene, alte Bekannte wieder und begleiten diese auf eine spannende Reise. Für Familien und vor allem ganz junge Zuschauer ist der Film auf jeden Fall unterhaltsam und amüsant. Ich empfehle auch zum ersten Mal, ihn in 3D anzuschauen und zu erleben. Denn Ice Age 5 ist einer der wirklich seltenen 3D-Animationsfilme, in denen das 3D-Erlebnis rundum gelungen ist und tatsächlich zu einer Steigerung des Vergnügens führt.

Meine Hoffnung ist dennoch, dass Teil 6 dieses Franchise auch auf der erzählerischen Ebene wieder zulegt, und dadurch nicht ganz so vorhersehbar gerät.

Agon Ushaku

Unexpected, Stuttgart

Und hier noch als ein kleines Extra: Bilder aus dem Art Ludique in Paris, aus der Ausstellung über Blue Sky Studios!

Weitere Infos zu der dortigen Ausstellung finden sich hier!

Excerpts from the presstext: The Art of Blue Sky – Exhibition, Paris


Abolishing the boundaries between comics, mangas, video games, live action cinema and animation films, Art Ludique highlights the works of creators of universes, that mark our imaginations and influence the culture of our century.


Over 800 artworks, drawings, paintings, sculptures, interviews and exclusive video projections will allow you to admire the creation of universes such as the impressive caves in Ice Age, the Amazonian waterfall in Rio 2, the metallic city in Robots, the secret lair of the Leafmen in Epic… and to discover how Blue Sky Studios created popular characters like Sid, Manny and Diego, the parrots Blu and Jewel, how they interpreted Snoopy… and of course the irresistible Scrat!

IMG_4275  IMG_4278 IMG_4280 IMG_4281

Creators of Universes

With the arrival of computer-generated images, the 1990s triggered an important turning point in animation. The blooming of feature films and shorts during this era generated the enthusiasm of viewers and the fervor of artists who greatly benefited from this new tool for their imagination. Blue Sky Studios, following its first creative experimentations for television commercials and visual effects for Hollywood blockbusters, naturally finds its place in this new artistic landscape. In 1998, the Studio´s first short, Bunny, received the Academy Award for Best Animated Short.  The subsequent feature films, Ice Age, Robots Rio and Epic, distinguish themselves thanks to their singular visual identity.Their universes offer such different aesthetics that no specific „Blue Sky style“ appears across these films, instead each movie showcases a truly unique style, whose incredible richness can be discovered from the very first drawings. The artists of Blue Sky Studios create worlds enhanced by the conrasted use of light and color, constantly inviting us to change perspectives and scales.

A Universe of Characters and Creatures

From the furry creatures in Ice Age to the community of Leafmen in Epic, the mechanical beings inRobots and the colorful birds in Rio, the characters and creatures that inhabit Blue Sky Studios´movies all embody very different styles.

The incredible bestiary of the Ice Age Saga starts with Peter de Sève`smasterful pencil stroke. Their expressive postures and exuberant emotions demonstrate the artist`sexperience in editorial illustration, which naturally leads to the creation of characters both appealing and unforgettable, such as the legendary Scrat.

IMG_4247Composed of bolts and metallic parts of all sorts, the heroes of Robots share some characteristics of the steampunk aesthetic, revisited through the illustrative style of the artist William Joyce who collaborated with director Chris Wedge and lead character designer Greg Couch to develop the look of the characters. Particular attention was given to the lines drawn with delicacy and a great level of detail that confer an original and unique visual identityto these tinkered silhouettes.

The character studies for Rio and Rio 2 benefit from an entirely different artistic approach. The curved shapes IMG_4262characterizing Sergio Pablos`and Sang Jun Lee`s drawings lead to a dynamic graphic rhythm that mirrors the spectacular atmospheres in the two movies. This in-depth work on lines offers an impression of intense movementbefore the birds are even brought to life, fly or dance on screen.

Greg Couch`s ethereal style and hatched strokes can be found in the studies for the feature film Epic displayed here. The lenghty reflective and creative process that surrounds the Leafmen, which sometimes recalls insects or tiny samurai, is revealed through numerous artworks. These works reveal the talent of the Blue Sky Studios artistsat exploring graphic territories while constantly renewing them through their unrestrained imaginations.

The sculptures presented in this hall were built during the production phase and are based upon silhouettes that originatefrom the character studies. The sculptors translate the illusion of life and personality they hold into volume. This collaborative work helps to place the finishing touches of the design of the characters.


A Wold of Ice

If the Ice Age has always elicited a cold and austere environment, that all changes in 2002 as it becomes the IMG_4267stage for a big fun adventure sprinkled with laughter with Blue Sky `s first feature film. The five movies of the Ice Age saga are artistically renewed through the diversity of themes, generating both an abundance and a variety of sceneries, created in order to welcome new landscapes and new characters: melting ice caps and sea monsters, lush tropical forests and dinosaurs, vast oceans and pirates, or even outer space and its surprising inhabitants.

The exhibited artworks show us how the initial visual language weaves a link between these multiple themes, while constantly developing new palettes, shapes and textures. While the immaculate tones shape a unique original aesthetics, the Ice Age films are full of colors that are specifically imagined for each new universe.

The forces of nature and the immensity of the backgrounds, in which even a mammoth or tyrannosaurus can appear miniscule, offer another example of a common theme developed by the artists throughout the different movies.

Rivers, craters of hot lava and fields of geysers draw the new outlines in Ice Age: The Meltdown. The underwater universe fosters a reflection on the depiction of water and the depth of submarine canyons, through effects of transparency and light, in addition to the work on composition that delineates the different spaces. Unexpected for an era of ice and snow, tones of green and brwon appear in Ice Age: Dawn of the Dinosaurs to depict the tropical atmosphere bof the dinosaur´s valley.

By exploring plate tectonics, Ice Age: Continental Drift portrays a spectacular world, revealed here through a selection of concept artworksof dramatic intensity. In other studies, the composition also suggests a feeling of solitude arising from the three heroes who are isolated on their drifting sliver of an ice floe. The artists make use of the slightest deatils in order to revisit the codes associated with this world of ice, exemplified by the pirates who travel on an iceberg sculpted as a threatening ship.

Finally, Ice Age: Collision Course will even modify the creation and the constitution of the universe in which for instance, the atmosphere is cloaked with unexpected hues of fluorescent pink and purple.


The innumarable character studies drawn by Peter de Sève provide an insight into the creative process among the artists of Blue Sky Studios in ortder to conceive a prehistoric world of such scale. As soon they appear on paper, these creatures seem to carry a spark of life, their captivating gaze expressing all the subtlety of their personalities, whether they are incredibly funny or profoundly threatening. Above all, they are the artistic keystone to the Ice Age universe constituting one of the most fascinating bestiaries of our time.

Reinterpreting Icons

Blue Sky Studios, masters in the art of creating original movies with diversified universes, has expanded its artistic experimentation repertoires twice by adapting classics of American illustration with Dr. Seuss`Horton Hears A Who! (2008) and The Peanuts Movie (2015) There the Studio reinvents those popular existing universes, while respectung the original artworks.

Horton Hears a Who!

Released in 2008, Dr. Seuss` Horton Hears a Who! is a film directed by Jimmy Hayward and Steve Martino and adapted from the illustrated book by the american writer Theodore Seuss Geisel, better known as Dr. Seuss. Dr Seuss is the creator of many world-famous characters such as the Grinch, a grumpy, green-haired creature determined to steal christmas. Horton is a jovial elephant that hears faint cries for help from a floating speck of dust, which he rescues by catching it on a clover. He is convinced there is a whole world in this dust speck, and that the inhabitants of „Whoville“ are in great danger. The problem is, none of his animal friends in the jungle seem willing to believe him. For this film, special care was taken to respect Dr Seuss` style when creating both the characters and environments such as the specific overlapping wrinkles on the characters and props alike. These wrinkles and creases can be seen in the character`s ellbows and the curving pipework that make up the machinery for example. Although just details, the omnipresence of folds and curves drawn into the architecture or articulated mechanical contraptions gives Whoville a very organic style. Even the inanimate objects feel like they`re alive!



The Peanuts Movie, directed by Steve Martino, was released in 2015. It was inspired by the Peanuts comic strip, IMG_4272which was written and drawn exclusively by Charles M. Schulz for its 50 year run, from 1950 to 2000. Each week, in just a  few panels, Charles M. Schulz drew the adventures of Charlie Brown, an insecure and frequently unlucky boy, and his famous companion Snoopy, an „almost philosophic“ dog gifted with a vivid imagination. These strips were filled with minimalistic characters and simple backgrounds. To create a stylisitic link between their film and the original style of the Peanuts` strips, Blue Sky Studio`s artists chose to emulate the way Schulz drew his characters and enviromnets whenever possible. That meant the characters would almost always be facing the camera, and would only be viewed from afew specific angles: only those that Schulz had drawn. It also meant utilizing hand-drawn ink lines in their original concept artworks whenever possible, even including them right in the actual animation. Finally, they chose a style for the environments that was inspired by the comic; the backgrounds never upstage the characters. Their palettes are made up of paste shades and luminous atmospheres in harmony with the mood of each scene – whether it is humorous or dreamlike – but like the comic, they complement and support the character`s bold primary colors without overpowering them. The result of this clever balance of traditional drawings and computer-generated graphics is a visual richness that is absolute unique. Director Steve Martino wanted to give the impression that the film`s universe had been hand-drawn by Charles Schulz himself.


(redaktionelle Bearbeitung für den INDAC-Blog: Karin D. Angele)


L`Art de Blue Sky – Art Ludique, Paris präsentiert Ice Age & Co

About Art Ludique – Le Musée:

Art Ludique – Le Musée was imagined and conceived in 2013 by Jean-Jaques and Diane Launier, respectively the museum`s President and Executive Director. The museum has presented the exhibitions „Pixar, 25 of Animation“ and „The Art of Marvel Superheroes“, ranked in the top 15 most visited exhibitions in France in 2014, „Studio Ghibli, Layout Designs – Understanding the Secrets of Takahata and Miyazaki animation“, „Aardman, Art That Takes Shape“ and „The Art of Video Games – French Inspiration“


Jean-Jaques and Diane Launier have been running the Parisian Art Gallery Arludik since 2003, the first Art Gallery in the world to exhibit and sell original drawings from comics, video games, mangas, animation movies and the world of cinema.

They were also the organisers of the „Miyazaki-Moebius“ exhibition which was held at the Musée de la Monnaie in Paris in 2005, as well as numerous other exhibitions such as „Ice Age“ in La Baule, „lord of the Rings – The Art of John Howe“, „Hommage to Toy Story“ in Angouleme and „The Art of Despicable Me“ in Annecy.

Jean-Jaques Launier is also the Author of the novel La Mémoirede L´Ame (The Memory of the Soul), which contains a drawing by Moebius on every page, and cowrote the book „Art Ludique“.

Art Ludique-Le Musée

34, quai d`Austerlitz 75013 Paris


Blue Sky Studios

Connecting the cultural heritage of great nineteenth century artists and contemporary technology

by Jean-Jaques Launier, President d` Art Ludique -Le Musée.

The animated films by Blue Sky Studios illustrate the connection between the cultural legacy of the great artists of the nineteenth century and today´s most sophisticated technology.

Thanks to its founders´backgrounds in visual effects, Blue Sky Studios has clearly mastered an execptionaöl expertise in the art of computer-generated imagery, conferring a unique veracity to its film universes and creatures. However, a computer and the newest leading technologies will never replace artists; they simply become new tools in their hands.

Blue Sky Studios artistic and creative dynamic arises first and foremost from the complementary and apssionate collaboration between the film directors, artistic directors, illustrators and animators who all benefit from an immense visual culture. The incredible variety and richness of the backgrounds and characters, the subtle palletes of color and light are born from emulating and sharing visions and experiences of these creators of universes.  Drawn using traditional techniques, pencil, watercolor, or sketched and painted using digital tools, either by a single artist or by several, the artworks of the Studio radiate a constant search for perfection and credibility, associated with limitless imagination.

This talented team immerses itself in each of its projects with such dedication and originality that each resulting film offers a radically different aesthetic. There is therefore no standard „Blue Sky style“ but a truly unique style for each movie.

Being so artistically different from each other, these worlds and characters shape stories with humanist intentions, both funny and poetic, while remaining close to nature and the environment: the discovery of the balance of nature that surrounds us thanks to the creatures of Epic, protecting the homes of wildlife in the Amazon in Rio 2, the changing shape of the world in Ice Age: Conetinental Drift, the touching loneliness of the widowed elderly female rabbit in the Academy-Award winning short film Bunny, or even the outlook on the unjustified obsolescence of machines due to ever-increasing consumerism, as seen in Robots.

From the dawn of time, Man has drawn, painted and sculptedn in order to communicate and tell stories. By connecting to contemporary figurative narrative art, Blue Sky Studios, in the manner of Renaissance workshops in which the greatest artists gathered to create a masterpiece and imbued with the artistic legacy of the greatest illsutrators of the nineteenth century, takes us from the Ice Age to the Digital Age.




In Zusammenarbeit mit Twentieth Century Fox  darf INDAC jeweils  5 Animationschaffende einladen  zu den Pressevorführungen des Films :


Regie: Steve Martino

Produzenten: Craig Schulz, Bryan Schulz, Cornelius Uliano, Paul Feig, Michael J. Travers

Kinostart: ab dem 24. Dezember in den deutschen Kinos

Laufzeit: 89 Min.

im Verleih der Twentieth Century Fox

Charlie Brown, Snoopy, Lucy und Linus und der Rest der beliebten „Peanuts“-Gang haben ihren ersten großen Auftritt auf der Kinoleinwand – so wie man sie noch nie gesehen hat – in bester 3D Animation. Snoopy, der weltweit beliebteste Beagle – und Fliegerass – schwingt sich in großer Mission in die Lüfte, um seinen Erzfeind den Roten Baron zu verfolgen. Währenddessen begibt sich sein bester Freund Charlie Brown auf ein anderes episches Abenteuer. Nach einer Idee von Charles M. Schulz und mit den Machern von ICE AGE wird DIE PEANUTS – DER FILM beweisen, dass jeder Underdog seine Chance bekommt.


Der Eintritt ist frei. Die Teilnehmer verpflichten sich, eine kurze Kritik zum Filmstart für den INDAC Blog zu verfassen. Teilnehmen kann man nur, wenn man sich auf als Mitglied eingetragen hat! Die Anmeldung zum Screening erfolgt unten am Ende des Beitrags über das Formular!


Die Vorgaben der Pressebetreuung vor Ort sind zu beachten (Sperrfristen, keine Geräte mit Speichermedium im Kinosaal etc. )

Wir werden unter allen Einsendern die Plätze vergeben und Euch dann das entsprechende Kino mitteilen, wo die Vorführung stattfinden wird! Der Film wird in der Deutsch synchronisierten Fassung gezeigt!!!



Die Nutzung von Handys oder Aufnahmegeräten während der Vorführung ist strengstens untersagt. Bitte beachten Sie, dass der Kinosaal auf nicht genehmigte Aufnahmen überwacht werden kann. Sollten Sie Bild- oder Tonmaterial ohne die Genehmigung von Fox aufnehmen, stimmen Sie damit zu, augenblicklich aus dem Kinosaal geführt zu werden. Des Weiteren stimmen Sie der Beschlagnahmung sämtlicher Fox-Inhalte zu, die bei Ihnen gefunden werden, was auch die Konfiszierung von Handys oder Aufnahmegeräten beinhalten kann. Weitere rechtliche Schritte sind vorbehalten. Vielen Dank für Ihr Verständnis und Ihre Kooperation.


  1. Diese Einladung ist nur für Sie PERSÖNLICH bestimmt und darf nicht an Dritte weitergeleitet werden.
  2. Technische Geräte jeglicher Art (Mobiltelefone, Laptops, Tablets, Kameras, etc.) müssen während der Vorstellung ausgeschaltet sein.
  3. Während der Filmvorführung werden mithilfe von Nachtsichtgeräten Kontrollen zur Vermeidung von unerlaubten Aufnahmen und der Verwendung technischer Geräte durchgeführt.

PNTS-137_14004. Falls Sie versuchen, im Saal von einem technischen Gerät Gebrauch zu machen, werden Sie aufgefordert, den Saal zu verlassen. Unerlaubte Aufnahmen werden sofort zur Anzeige gebracht; Sie werden gegebenenfalls sowohl strafrechtlich als auch zivilrechtlich verfolgt.


HIER ANMELDEN (nochmals: nur für angemeldete Mitglieder auf dem INDAC Blog!)


Anmeldefrist für  Frankfurt: 22. November 2015, 20 Uhr

Anmeldefrist für Stuttgart: 23. November 2015, 12 Uhr mittags

Anmelefrist für Düsseldorf: 24. November 2015, 12 Uhr mittags

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