LAUPHEIM, GERMANY - SEPTEMBER 19: Gabriele M. Walther shows the trophy at the Carl Laemmle Produzentenpreis 2025 (Producer Award) at Schloss Laupheim on September 19, 2025 in Laupheim, Germany. (Photo by Thomas Niedermueller/Getty Images for Carl Laemmle UG)
LAUPHEIM, GERMANY - SEPTEMBER 19: Gabriele M. Walther shows the trophy at the Carl Laemmle Produzentenpreis 2025 (Producer Award) at Schloss Laupheim on September 19, 2025 in Laupheim, Germany. (Photo by Thomas Niedermueller/Getty Images for Carl Laemmle UG)

Gabriele M. Walther mit dem Carl Laemmle Produzentenpreis 2025 geehrt / Der Carl Laemmle Talentpreis 2025 geht an den Produzenten Gerrit Klein

Credits Foto: Thomas Niedermüller / Getty Images for Carl Laemmle Produzentenpreis UG

Berlin/Laupheim, 19. September 2025 – Produzentin und Drehbuchautorin Gabriele M. Walther wurde heute im Rahmen einer feierlichen Gala im Schloss Großlaupheim für ihre außergewöhnliche Vielseitigkeit, ihren unternehmerischen Mut und ihren prägenden Beitrag zum deutschen Animationsfilm mit dem Carl Laemmle Produzentenpreis geehrt. Erstmals in diesem Jahr kamen die Nominierungen für den Ehrenpreis aus den Sektionen der Produktionsallianz. Zudem wurde erstmals der Carl Laemmle VFF Talentpreis an den Produzenten Gerrit Klein verliehen.

https://carl-laemmle-produzentenpreis.de/preistraegerin-2025/
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Als erster eigenständiger deutscher Produzentenpreis zeichnet der Carl Laemmle Produzentenpreis jährlich das Lebenswerk einer herausragenden Produzentenpersönlichkeit aus und stellt zugleich generell die besondere Leistung der Produzentinnen und Produzenten im kreativen und wirtschaftlichen Prozess des Filmschaffens in besonderer Weise heraus.

„Gabriele Walther zeichnet sich nicht nur durch ihre kreative Kraft, sondern auch durch außergewöhnliche unternehmerische Risikobereitschaft aus. Immer wieder hat sie Projekte realisiert, die Mut zum Neuen erforderten – seien es ambitionierte Kinoproduktionen, die Etablierung neuer Animationsmarken oder eigenfinanzierte Pilotprojekte“, so ein Auszug aus der Jurybegründung.

Die mit den Produzent:innen Wiebke Andresen (Letterbox Film), Christian Beetz (Beetz Brothers Film) und Jean-Young Kwak (Amalia Film) sowie Moderator Louis Klamroth („Hart aber fair“) und Filmmäzen Adrian Kutter (Gründer Biberacher Festspiele) hochkarätig besetzte Jury würdigt mit Gabriele M. Walther eine Produzentin, „die mit Pioniergeist, kreativer Kraft und der Förderung von Frauen in der Medienbranche den Geist Carl Laemmles in besonderer Weise weiterträgt.“

Für die Jury sprach die Geschäftsführerin und Produzentin der Amalia Film GmbH Jean-Young Kwak: „Ihr unerschütterlicher Glaube an die Kraft guter Geschichten und ihr unternehmerischer Weitblick haben ihr ermöglicht, Trends frühzeitig zu erkennen und die deutsche Film- und Fernsehlandschaft nachhaltig zu prägen. Ihre Bereitschaft, kreative Risiken einzugehen und neue Wege zu beschreiten, ist beispielhaft und trägt entscheidend zu ihrem außergewöhnlichen Erfolg bei.“

Der Filmproduzent Bernhard zu Castell, Chief Distribution Officer und Geschäftsführer LEONINE Studios, ehrte die Preisträgerin in seiner Laudatio: „Gabriele Walther hat nicht nur die deutsche Filmwelt mit ihren Werken bereichert, sondern mit einer Kraft, die nur aus ehrlicher Überzeugung und Begeisterung erwächst, einen nachhaltigen Einfluss auf die gesamte Branche ausgeübt.“
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Preisträgerin Gabriele M. Walther betonte in ihrer Dankesrede: „Ich versuche Veränderungen herbeizuführen, das verbindet mich mit Carl Laemmle. Diesen Ehrenpreis teile ich mit allen Frauen in der Branche. Ich danke meinem wunderbaren Team und all meinen langjährigen Weggefährtinnen und Weggefährten.“

Michelle Müntefering, CEO und Sprecherin des Gesamtvorstands der Produktionsallianz: „Gabriele Walther ist eine produzentische Wegbereiterin mit enormer Kreativität und unerschütterlichem Mut und steht damit in der Tradition des Namensgebers dieses Preises, Carl Laemmle. Ihre außergewöhnliche unternehmerische Kraft hat die deutsche Filmwirtschaft verändert und gerade für Produzentinnen Türen geöffnet, die lange verschlossen schienen. Sie engagiert sich nachhaltig für die Sichtbarkeit und Förderung von Frauen in der Medienwelt und gestaltet damit deren Zukunft maßgeblich mit.“

Ingo Bergmann, Oberbürgermeister der Stadt Laupheim: „Die heutige Verleihung des Carl-Laemmle-Produzentenpreises war ein besonderer Moment für unsere Stadt. Wir haben das Andenken an Carl Laemmle gewürdigt und mit Gabriela M. Walter eine Produzentin für ihr beeindruckendes Lebenswerk geehrt. Ich gratuliere Frau Walter herzlich zu dieser Auszeichnung und danke allen Beteiligten für einen rundum gelungenen Abend.“

 

Der traditionsreiche Carl Laemmle Produzentenpreis wird im Jahr 2025 erstmals um eine zukunftsorientierte Kategorie erweitert: Aufstrebende Produzent:innen werden künftig mit dem von der VFF Verwertungsgesellschaft der Film- und Fernsehproduzenten gestifteten Carl Laemmle VFF Talentpreis ausgezeichnet. Der Preis ist mit 15.000 Euro dotiert und beinhaltet eine zweijährige Fördermitgliedschaft in der Produktionsallianz, die Zugang zu Netzwerken, Veranstaltungen und filmpolitischen Diskursen eröffnet.

Der Preisträger des Carl Laemmle VFF Talentpreises 2025 ist Gerrit Klein, Geschäftsführer Giganten Film Produktions GmbH, für den Spielfilm „Vier minus drei“.

Stellvertretend für die Jury überreichte der Moderator Louis Klamroth denCarl Laemmle VFF Talentpreis: „Mit VIER MINUS DREI realisiert Gerrit Klein einen Film, der persönliche Betroffenheit, unternehmerisches Risiko und künstlerische Verantwortung eindrucksvoll vereint. Er ermöglicht die Adaption einer realen Verlustgeschichte, verhandelt komplexe Rechtefragen und wahrt dabei stets die künstlerische Integrität des Projekts. Eine Produzentenleistung, die beeindruckend ist und Maßstäbe setzt.“

Dazu Jennifer Stahl, Geschäftsführerin der Carl Laemmle Produzentenpreis UG und der Produktionsallianz Campus: „Der Carl Laemmle VFF Talentpreis ist ein echter Booster für den produzentischen Nachwuchs und eine kluge Investition in die Zukunft unserer Branche. Mit dem Preis fördern wir Produzent:innen, die erste Produktionen erfolgreich umgesetzt haben und nun den langen Atem für die nächsten Schritte brauchen. Die Vernetzung mit Schlüsselfiguren der Branche und das Schöpfen aus deren Erfahrungen sind für sie gerade in dieser Phase von unschätzbarem Wert.“

Zur feierlichen Gala im Schloss Großlaupheim kamen 400 geladene Gäste aus Film, Fernsehen, Politik und Wirtschaft, darunter Ingo Bergmann (Oberbürgermeister der Stadt Laupheim), Michelle Müntefering (CEO und Sprecherin des Gesamtvorstands der Produktionsallianz), Cem Özdemir (Bundesminister a.D.), Staatssekretär Arne Braun (Ministerium für Wissenschaft, Forschung und Kunst Baden-Württemberg), Jurymitglied Louis Klamroth (Moderator „Hart aber fair“), die Schauspieler:innen Johannes Heinrichs, Bettina Zimmermann, Kai Wiesinger, Lukas Sauer uvm.

 

Die Gala wurde von Dennenesch Zoudé moderiert.

NEW EUROPEAN ANIMATION SERIES MAKE THEIR DEBUT IN TOULOUSE AT THE 36TH CARTOON FORUM

Foto: Tuesday morning, Pitching sessions © CARTOON

Cartoon Forum, the pitching and co-production forum for European animated series, is celebrating its 36th edition on September 15-18 in the French city of Toulouse, where 75 new animated series and TV specials projects will be pitched to find new partners for accelerating their development and distribution. Producers, broadcasters, distributors, investors, streaming platforms, book publishers, and game developers are among the participants registered at this annual meeting organized by CARTOON, an international non-profit association based in Brussels. Besides the pitching sessions, the agenda also includes a number of networking activities and special sessions aimed at strengthening European cooperation.

https://www.cartoon-media.eu/forum/projects/discover-the-projects

Shortlisted from 108 submissions, the selected projects hail from 20 countries, and amount to 391 hours of new content and a budget of 339.5 million EUR. France leads the line-up with 30 projects, followed by Ireland with 7, Belgium with 6, Spain with 5, and Poland with 4. Germany and Italy are represented by 3 series, while Czechia, the Netherlands, Greece, and Serbia are participating with 2 each.

Headed by Poland, the CEE countries have a total of 11 projects, including series from Serbia (2), Czechia (2), Bosnia, Latvia and Bulgaria (one each). The Nordic countries, meanwhile, have a total of 4 projects, one per country: Finland, Sweden, Denmark and Iceland. Portugal and Armenia (non-EU country in the Creative Europe Programme) have one project each in the selection. Regarding the selection criteria, Cartoon Forum Selection Committee explained that original creations and the emergence of new IPs ranked high in the selection process due to the current economic challenges facing the industry.

One third of the projects were developed by companies participating for the first time in a CARTOON event, highlighting the continued relevance of Cartoon Forum as a platform for accelerating the financing and development of animated series in Europe.

THE SELECTION AT A GLANCE

Series targeting children – from pre-school to children 11-years-old – and family remain the main focus of European animation production with an 80% of the projects targeting these audiences. In contrast, projects aimed at teenagers and young adults/adults have seen a slight drop, representing 20% of the selection. The average budget per series stands at 4.53 million EUR, while 33 projects arrive in Toulouse with two or more countries on board, confirming the importance of co- production in the overall financing of series. Concerning animation techniques, 2D continues to be the most widely used in European series to up to 68% of the projects selected, four times more than those developed in 3D. A 37% of the projects feature female heroes or approach their stories from a female perspective, while 17% promote diversity and inclusion, and 15%, environmental issues. Diversity also reaches the genres of the projects, which feature comedies, adventure, action, and science fiction, among others. Comics, books or other media continue to be a source of inspiration for the European series: this year 27% of the selected projects are adaptations.

Two TV series and one TV special from the Occitanie region have made it into the line-up: “The Zzli Brothers” (Xbo films) and “Welcome to Happycracy” (Manégann Films & Xbo films). One, “Atomic” (Studio Zmei, Bulgaria), has previously participated at Cartoon Springboard, CARTOON’s pitching event dedicated to new talents in animation. Germany’s series “3 Captains” (Studio FILM BILDER) and “Wing it like Lilly” (Wolkenlenker) were selected through Animation Production Days (APD), while “Tiny Fox and Great Boar” (EGoFILM Production, Poland) was selected through CEE Animation Forum.
In 2023, the European Broadcasting Union (EBU), France Télévisions, and CARTOON joined forces in EBU Co-Development Initiative, a collaborative model for animation focused on co-funding the development of pilot episodes. This year, 15 European broadcasters will select at least one project presented at Cartoon Forum to receive this fund. The selected project from last year’s edition, “My Life is a Manga” (Brain Comet and Blue Spirit, France), will be presenting its latest developments at the event.

© Celia Lenoir

BEYOND THE PITCHING SESSIONS
Besides the projects’ presentations, the agenda includes a number of activities aimed at strengthening cooperation and promoting networking, such as Animated UK Meets Europe and Fill the Gap.

Thomas Meyer-Hermann, Studio FILM BILDER – Tuesday afternoon, Happy Hour Magelis © Celia Lenoir

A collaboration between Animation UK and CARTOON, with the support of BBC Children’s and Education, Animated UK Meets Europe looks to showcase UK talent and creativity in European markets with the aim to obtaining European co-production and distribution partners. To be held on Wednesday, September 17, the second edition of this event created in 2023 will feature three UK’s series selected by the BBC and S4C: “Amelia Fang” produced by CAKE Entertainment & Germany’s DCM, “Let’s Play in Tiger Bay” produced by Hoho Entertainment & Bumpybox, and “The Adventures of Robin Robin” produced by Aardman Animations. Following the pitching sessions, Funding the Future: Unlocking the Power of Co- Productions in Animation, a talk moderated by Vanessa Chapman and featuring prominent European broadcasters, will further emphasize the importance of public service broadcasting and cross-border collaborations.
The slowdown suffered by the animation industry in recent years has given rise to various financing challenges and a reduction in the number of projects being green lit into production. To support producers in these difficult times and respond more effectively to the current needs of the industry, CARTOON has implemented two new networking initiatives: Matchmaking sessions and Fill the Gap. The participants in the former will hold 20’ meetings with the companies they are interested in, while the laper  offers Cartoon Forum pitching producers from previous editions, whose projects have not yet secured the necessary funding to go into production, a showcase for visibility.
Ten companies from seven countries are in the running for the Cartoon Forum Tributes, which seek to celebrate the dedication and creativity of key players in the European animation industry over the previous year. The awards are broken down into three categories – Broadcaster, Investor/Distributor, and Producer of the Year – whose winners will be voted by the professionals attending Cartoon Forum. Danish Broadcasting Corporation (DR) and Radio Televisión Española (RTVE) – Denmark and Spain public broadcasters, respectively – were nominated for Broadcaster of the Year together with France’s leading private free-to-air channel TF1. Animation features prominently in the catalogues of the three finalists in the Investor/Distributor of the Year category: Spain’s Liquid Rock Entertainment, France’s Mediatoon Distribution, and UK’s Meta Media Entertainment. Lastly, the Producer of the Year category will be contested between Belgium’s Creative Conspiracy, Poland’s Grupa Smacznego / GS Animation, France’s SILEX FILMS, and Germany’s Studio FILM BILDER.

A PLACE FOR TOMORROW’S PROFESSIONALS

Training tomorrow’s professionals and engaging with the public are also on Cartoon Forum’s agenda through the Coaching Programme and Toons d’Ici. Coordinated by Agnès Bizzaro, the former makes it possible for young talents from 13 animation and arts schools from Toulouse and the region Occitanie to have a broad overview of the industry and the challenges that are faced when implementing a project. More than 80 students will engage in this initiative that, besides an overview on CARTOON and Carton Forum work, case studies and masterclasses, will feature the Mini-Pitch workshop, in which six projects will be presented.

ABOUT CARTOON FORUM
Created in 1990 to boost the co-production and distribution of European animation for television and new media platforms, Cartoon Forum has helped 1,017 animation series obtain financing to the tune of 3.69 billion EUR. The 36th Cartoon Forum is organised by CARTOON – European Association of Animation Film with the support of Creative Europe – MEDIA, CNC (Centre national du cinéma et de l’image animée), Région Occitanie, Mairie de Toulouse, Toulouse Métropole, Casino Barrière and France Télévisions (FTV).

Tuesday morning, Welcome Words © CARTOON

Coming 2026: ONE PIECE: Season 2 | Sneak Peek | Netflix

The Straw Hat crew is BACK!

Get ready to set sail for the treacherous Grand Line as Luffy, Zoro, Nami, Usopp, and Sanji return for Season 2 of ONE PIECE: INTO THE GRAND LINE.

New dangers, new friends, and legendary treasures await our beloved crew!

https://www.netflix.com/tudum/articles/one-piece-season-renewed

Season 2 will unleash “fiercer adversaries and the most perilous quests yet,” according to the official synopsis. “Luffy and the Straw Hats set sail for the extraordinary Grand Line — a legendary stretch of sea where danger and wonder await at every turn. As they journey  through this unpredictable realm in search of the world’s greatest treasure, they’ll encounter bizarre islands and a host of formidable new enemies.”

ONE PIECE Season 2 co-showrunner, writer, and executive producer Matt Owens revealed in a previous conversation with Tudum that Dr. Kureha will definitely be part of Season 2. “When the Season 2 writers’ room got together, we knew how far we were going to get and that this character Dr. Kureha was going to be a big part of the season.”

Season 2 will introduce viewers to some other fan favorites next season, including the beloved reindeer-boy hybrid Tony Tony Chopper. Plus, the Straw Hats are going to be in the Grand Line — “The place that we were talking about all of Season 1, we’re in it now,” said Owens

Watch on Netflix: https://www.netflix.com/title/81218765

About Netflix: Netflix is one of the world’s leading entertainment services, with over 300 million paid memberships in over 190 countries enjoying TV series, films and games across a wide variety of genres and languages. Members can play, pause and resume watching as much as they want, anytime, anywhere, and can change their plans at any time.

Trailer zum BFI London Film Festival 2025

Alle sind herzlich eingeladen, das 69. BFI London Film Festival vom 8. bis 19. Oktober in London und in Kinos in ganz Großbritannien zu besuchen und die besten neuen Filme, Serien und fesselnden Geschichten der Welt zu entdecken. Tickets ab 10 £ (6 £ für Personen unter 25 Jahren) sind ab dem 16. September erhältlich.

Animated Music: Nine Inch Nails – As Alive As You Need Me To Be (Official Music Video) – TRON Ares | Disney

Die Grammy®-ausgezeichnete Rockband Nine Inch Nails hat die Filmmusik zu TRON: ARES komponiert und letzte Woche das offizielle Musikvideo zu ihrer neuen Single „As Alive As You Need Me To Be”, dem ersten Song aus dem Soundrack-Album und die erste neue offizielle Musik der Band seit 5 Jahren, veröffentlicht. Das Album „TRON: ARES (Original Motion Picture Soundtrack)” wird am 19. September bei Interscope Records veröffentlicht.

https://www.instagram.com/p/DOJbMcwjXs1/

Zum Film:

TRON: ARES folgt einem hochentwickelten Programm namens Ares, das aus der digitalen in die reale Welt auf eine gefährliche Mission geschickt wird und die erste Begegnung der Menschheit mit KI-Wesen darstellt.

Im neuen Kinofilm sind, unter der Regie von Joachim Rønning, die Darsteller Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Hasan Minhaj, Arturo Castro, Cameron Monaghan und Gillian Anderson sowie Jeff Bridges zu sehen. Sean Bailey, Jared Leto, Emma Ludbrook, Jeffrey Silver, Justin Springer und Steven Lisberger fungieren als Produzenten. Trent Reznor, Atticus Ross, Russell Allen und Joseph Kosinski sind die ausführenden Produzenten. Das Drehbuch stammt von Jesse Wigutow mit der Geschichte von David DiGilio und Wigutow, basierend auf den von Steven Lisberger und Bonnie MacBird kreierten Charakteren. TRON: ARES startet am 09. Oktober 2025 bundesweit in den deutschen Kinos.

Regie: Joachim Rønning

Mit: Jared Leto, Greta Lee, Evan Peters, Hasan Minhaj, Jodie Turner-Smith, Arturo Castro, Cameron Monaghan, Gillian Anderson, Jeff Bridges

Deutscher Kinostart: 09. Oktober 2025

Watch the brand-new trailer for Tron: Ares and experience it in theaters, filmed for IMAX, October 10.

Tron: Ares follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.

The feature film is directed by Joachim Rønning and stars Jared Leto, Greta Lee, Evan Peters, Hasan Minhaj, Jodie Turner-Smith, Arturo Castro, Cameron Monaghan, with Gillian Anderson, and Jeff Bridges. Sean Bailey, Jeffrey Silver, Justin Springer, Jared Leto, Emma Ludbrook and Steven Lisberger are the producers, with Russell Allen serving as executive producer. Grammy®-award winning rock band Nine Inch Nails composed the score for “Tron: Ares,” and today, the band dropped „As Alive As You Need Me To Be“ —the soundtrack album’s first single and the first official music from the band in five years. Listen to „As Alive As You Need Me To Be” and view the visualizer: https://nineinchnails.lnk.to/AAAYNMTB.

The track is featured in the new trailer for “Tron: Ares.” “Tron: Ares (Original Motion Picture Soundtrack),” featuring all original music by Nine Inch Nails, will be released on September 19 via Interscope Records. The release marks the first-ever film score by the pioneering band, although bandmates Trent Reznor and Atticus Ross have composed 20 scores under their own names, winning two Oscars®, three Golden Globes®, a GRAMMY® and an Emmy® in the process.

Bruxelles, Toulouse – CARTOON FORUM TRIBUTES 2025 SET TO RECOGNISE EUROPEAN ANIMATION LATEST ACHIEVEMENTS

Danish Broadcasting Corporation (DR) and Radio Televisión Española (RTVE) – Denmark and Spain public broadcasters, respectively – were nominated for Broadcaster of the Year together with France’s leading private free-to-air channel TF1. Animation features prominently in the catalogues of the three finalists in the Investor/Distributor of the Year category: Spain’s Liquid Rock Entertainment, France’s Mediatoon Distribution, and UK’s Meta Media Entertainment. Lastly, the Producer of the Year category will be contested between Belgium’s Creative Conspiracy, Poland’s Grupa Smacznego / GS Animation, France’s SILEX FILMS, and Germany’s Studio FILM BILDER.

All nominees bear a close relationship with Cartoon Forum, in which they have participated both to pitch their projects and to discover the next generation of European animated series.
Besides pitching sessions and networking activities, the event will also feature Fill the Gap, a new initiative offering former Cartoon Forum pitching producers a chance to complete the financing for their projects, and Animated UK Meets Europe, aimed at building bridges and promoting collaboration between both territories.

Cartoon Forum’s line up feature 75 animated series coming from 20 European countries, for a total budget of 339.53 million €, representing 396 hours of animation.

CARTOON FORUM TRIBUTES 2025 – FINALISTS

BROADCASTER OF THE YEAR

Danish Broadcasting Corporation (DR) (Denmark)

Denmark’s oldest and largest media enterprise Danish Broadcasting Corporation (DR) is an independent, licence financed public institution comprising television, radio and online services. As of 2023, it has further strengthened its commitment to promoting Danish and Nordic animation with DR1’s prime time block programme FredagsTamTam. Some series on their programming slate such as “Ormhildur the Brave”, “BeddyByes”, “Team Nuggets” and “Goat girl” were presented at Cartoon Forum over the years.

Radio Televisión Española (RTVE) (Spain)

Spain’s largest multimedia group public company Radio Televisión Española (RTVE) channel offer includes Clan, the leading children’s channel in the country, whose programming combines entertainment with the promotion of values, respect, environmental protection, and healthy lifestyles. RTVE is also an active player in both national and international co productions, including series such as “Samuel”, “Alice’s Diary”, “The Wawies” and “I, Elvis Riboldi”, all of which were pitched at Cartoon Forum.

TF1 (France)

Free-to-air channel TF1 is part of TF1 Group, the leading private-sector television broadcaster in France. TF1 animated content is featured on TFOU, a children’s slot that also operates as an SVOD service. “Pfffirates”, “Ernest & Rebecca”, “Mironins”, and “OPS – What a Hopsrible Pack” are some of the series in the channel’s programming schedule that were presented at Cartoon Forum.

INVESTOR/DISTRIBUTOR OF THE YEAR

Liquid Rock Entertainment (Spain)

Based in Barcelona and Miami (USA), Spain’s Liquid Rock Entertainment is a global distribution and brand management company specialising in premium kids and family programming. The company excels in distribution and co-production, providing market insight and dedication to the evolving entertainment landscape. “The Secrets Explorers” and “Superthings. Rivals of Kaboom” (both pitched at Cartoon Forum) feature on the company’s catalogue.

Mediatoon Distribution (France)

Media Participations’ Mediatoon Distribution is one of the leading Kids and Family IP managers and animation distributors in Europe. Enhanced by its in-house studios (Belvision, Ellipse Animation, Studio Campedelli) and to third party producers, Mediatoon’s catalogue consists of over 10,000 half-hours of animated content, including series recently pitched at Cartoon Forum such as “Cedric”, “SamSam”, “Trotro” and “The Fox Badger Family”, among others.

Meta Media Entertainment (UK)

Founded by Sara Cooper in 2016, London-based Meta Media Entertainment is a specialist distributor of high-quality children’s animation. With a growing catalogue of over 30 series and specials from worldwide award-winning producers, they sell their programmes both to traditional broadcasters and to digital platforms. Their series “Lena’s Farm”, “Apple Hills”, “Schalotte – An Onion for All Cases”, “Rookie Robot”, “The Koala Brothers” have been presented in Cartoon Forum.

PRODUCER OF THE YEAR

Creative Conspiracy (Belgium)

Based in Ghent, Creative Conspiracy (CC) is an award-winning company that produces commercials, TV series, short films and feature films (both CGI and 2D). One of the company’s series, “Ray & Ruby”, was awarded with the EBU Co-Development Initiative at Cartoon Forum 2023. This year, CC is presenting the series “Terry and Olivia” in Toulouse, in addition to participating as co-producer in “This Moose Belongs to Me”.

Grupa Smacznego / GS Animation (Poland)

Founded in 2004 in Gdansk, Grupa Smacznego / GS Animation covers all stages of the animation process: from project development to post-production, including animated content for children with a valuable, educational message. After presenting “Bubblebit & Miau” and “Basia” in previous editions of Cartoon Forum, the company participates this year with two pre-school series: “Mort and Millie” and “Under the floor”, in this latter as co-producer.

SILEX FILMS (France)

Paris-based Silex Films is an independent film company featuring an eclectic line-up of films and series, dramas and creative documentaries. In 2014, Silex Films founded Silex Animation in Angoulême. Their relationship with Cartoon Forum goes a long way back, after presenting at the event “The Miniwhats”, “Brazen” and “Iren the Siren”, among other series. This year, they return to Toulouse with “Beasties”, a series aimed at Young adults/adults.

Studio FILM BILDER (Germany)

Founded in Stuttgart in 1989 by Thomas Meyer-Hermann, Studio FILM BILDER is an independent animation production company focused on individual design and original storytelling. Their catalogue features from music videos, commercials to short films to feature films and series. “Animanimals” and “Lena’s Farm” were presented at previous editions of Cartoon Forum. This year they participate with children’s series “3 Captains”.

https://filmbilder.de/showreel/

ABOUT CARTOON FORUM

Created in 1990 to boost the co-production and distribution of European animation for television and new media platforms, Cartoon Forum has helped 1,017 animation series obtain financing to the tune of 3.69 billion €. The 36th Cartoon Forum is organised by CARTOON – European Association of Animation Film with the support of Creative Europe – MEDIA, CNC (Centre national du cinéma et de l’image animée), Région Occitanie, Mairie de Toulouse, Toulouse Métropole, Casino Barrière and France Télévisions (FTV).

 

P.S:

Have a look Behind the Frames of Filmbilder’s production process! Meet the artists and see what they’re cooking up at the moment! Angela Steffen is working on the second season of the PATCHWORK PALS (with the partners rbb, BBC, Beta Film, WeKids and MFG). Elena Walf is preparing the series LENA’S FARM (with ZDF, MFG and MDM) as well as the short DAMN IT (with FFA). Thomas Meyer-Hermann is preparing the feature DEINE FLECKEN (with Daniel Nocke, Stefan Krohmer, Raumkapsel, MFG, HessenFilm and FFA). Andreas Hykade is working on the short ALTÖTTING (with NFB Canada, ciclope films, MFG and FFA), and he is preparing an animadoc about his grandfather (with MFG). Julia Ocker is preparing the new season of the ANIMANIMALS (with KiKA and SWR) as well as a short with the working title BABY BLUES (with MFG and FFA). Gottfried Mentor is working on an online series called BENZTOWN (with MFG and FFA).

PARAMOUNT STRIKES MAJOR FILM DEAL WITH ACTIVISION TO BRING CALL OF DUTY TO THE BIG SCREEN

LOS ANGELES, CA – September 2, 2025 – In a landmark collaboration, Paramount, a Skydance Corporation, a global leader in film production and distribution, has signed a film deal with Activision, the powerhouse behind the record-setting Call of Duty® series. This partnership aims to bring the iconic Call of Duty universe to life on the big screen, delivering an unforgettable cinematic event for fans worldwide. One of the most successful video game franchises of all-time, Call of Duty has been the #1 best-selling video game series in the U.S. for 16 consecutive years with over 500 million copies sold globally, reaching hundreds of millions of players worldwide, and driving pop culture conversations for over two decades.

Under this milestone partnership, Paramount will develop, produce, and distribute a live-action feature film based on Call of Duty, designed to thrill its massive global fan base by delivering on the hallmarks of what fans love about the iconic series, while boldly expanding the franchise to entirely new audiences. Both companies are committed to honoring the brand’s rich narrative and distinctive style, promising an authentic and exciting experience for longtime fans and newcomers alike.

Said David Ellison, Chairman and CEO of Paramount, a Skydance Corporation: “As a lifelong fan of Call of Duty this is truly a dream come true. From the first Allied campaigns in the original Call of Duty, through Modern Warfare and Black Ops, I’ve spent countless hours playing this franchise that I absolutely love. Being entrusted by Activision and players worldwide to bring this extraordinary storytelling universe to the big screen is both an honor and a responsibility that we don’t take lightly. We’re approaching this film with the same disciplined, uncompromising commitment to excellence that guided our work on Top Gun: Maverick, ensuring it meets the exceptionally high standards this franchise and its fans deserve. I can promise that we are resolute in our mission to deliver a cinematic experience that honors the legacy of this one-in-a-million brand – thrilling longtime fans of Call of Duty while captivating a whole new generation.”

Said Rob Kostich, President of Activision: “Throughout its history, Call of Duty has captured our imagination with incredible action and intense stories that have brought millions of people together from around the world, and that focus on making incredible Call of Duty games remains unwavering. With Paramount, we have found a fantastic partner who we will work with to take that visceral, breathtaking action to the big screen in a defining cinematic moment. The film will honor and expand upon what has made this franchise great in the first place, and we cannot wait to get started. Our shared goal is quite simple — to create an unforgettable blockbuster movie experience that our community loves, and one that also excites and inspires new fans of the franchise.“

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About Paramount, a Skydance Corporation
Paramount, a Skydance Corporation (Nasdaq: PSKY) is a leading, next-generation global media and entertainment company, comprised of three business segments: Studios, Direct-to-Consumer, and TV Media. The Company’s portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS – America’s most-watched broadcast network, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance’s Animation, Film, Television, Interactive/Games, and Sports divisions. For more information, please visit www.paramount.com.

About Activision
Activision is a leading worldwide developer, publisher and distributor of interactive entertainment connecting hundreds of millions of players around the world through the joy, fun and thrill of competition.  Activision, part of Microsoft (NASDAQ: MSFT), is headquartered in Santa Monica, California. Debuting in 2003, Call of Duty has become an iconic cultural property enjoyed by players worldwide.  With record-setting releases and can’t miss moments, the series has left an indelible mark on video games bringing players together as only Call of Duty can.  For more information, please visit www.callofduty.com and follow @Activision and @CallofDuty on X and Instagram.

© 2025 Activision Publishing, Inc.  Activision, Call of Duty are trademarks of Activision Publishing, Inc.  All rights reserved.

Stuttgart, ITFS: Call for Entries for ITFS 2026! – Submit your Films now!

(Deutsche Version weiter unten)

Stuttgart International Festival of Animated Film (ITFS), one of Europe’s leading animation festivals, is now open for submissions for its 2026 edition, taking place from 5 – 10 May 2026 in Stuttgart, Germany.

Filmmakers and studios worldwide are invited to submit their works for the festival’s competitions. The Grand Prix, awarded in the International Competition, qualifies the winning film for the Academy Awards® longlist. In total, prize money of more than € 50,000 will be awarded across five competition categories.

Competitions & Deadlines

Short Film Competitions (Deadline: 15 November 2025)

International Competition – animated shorts from around the world
Student Competition – animated shorts by students
Tricks for Kids – animated shorts and series for children
Trickstar Nature Award – animated shorts on nature and the environment

Feature Film Competition AniMovie (Deadline: 15 January 2026)

Animated feature films (60 minutes or longer)

Submission Process
Film submissions are accepted via the online platform Shortfilmdepot. Regulations and forms are available on the ITFS website. Project submissions will open in November 2025 via the festival website.

For further information on what happens with submissions at ITFS, please visit our website.

Deutsche Fassung:

Ab sofort können Filme für das Internationale Trickfilm-Festival Stuttgart 2026 (ITFS) eingereicht werden. Das ITFS ist eines der größten und wichtigsten europäischen Animationsfilmfestivals und findet vom 5. bis zum 10. Mai 2026 in Stuttgart statt. 

Oscar®-qualifizierendes Festival:

In der International Competition winkt der große Animationsfilmpreis des Landes Baden-Württemberg und der Stadt Stuttgart. Der Gewinnerfilm landet automatisch auf der Longlist für die Academy Awards®. In insgesamt fünf Wettbewerben werden Preisgelder von über 50.000 Euro vergeben.

Ab sofort sind Filmschaffende weltweit aufgerufen, ihre Arbeiten einzureichen:

Kurzfilm-Wettbewerbe:

•            International Competition (Animierte Kurzfilme aus der ganzen Welt)

•            Student Competition (Animierte Kurzfilme von Studierenden)

•            Tricks for Kids (Animierte Kurzfilme und Serien für Kinder)

•            Trickstar Nature Award (Animierte Kurzfilme zu Natur und Umwelt)

Einreichfrist: 15. November 2025

Langfilm-Wettbewerb AniMovie (ab 60 Minuten Länge)

Einreichfrist: 15. Januar 2026.

Einreichung und Reglements:

Die Filmeinreichung erfolgt über die Online-Plattform Shortfilmdepot. Die nötigen Formulare sowie die Reglements sind auf der ITFS-Website zu finden. Die Projekteinreichungen erfolgen ab November 2025 über unsere Website.

Interesse zu erfahren, was mit den Filmen nach der Einreichung beim ITFS passiert? Hier gibt es mehr Infos dazu.

 

Sony Pictures Screenings: Demon Slayer: Kimetsu no Yaiba Infinity Castle

In Zusammenarbeit mit Sony Pictures darf INDAC   Animations-/VFXschaffende zu den Presse-Screenings des Films

Demon Slayer: Kimetsu no Yaiba Infinity Castle“ 

einladen.

Filmlänge: ca. 150 Minuten. Es wird die deutsche Synchronfassung gezeigt.

FSK ab 16 beantragt

Die Vorführungen finden statt in  Köln, München, Berlin und Hamburg.

Die Teilnehmer verpflichten sich obligatorisch, eine Filmkritik für den INDAC Blog zu verfassen, die zeitnah um den Filmstart auf dem INDAC-Blog veröffentlicht wird. Details weiter unten!

Nur auf INDAC.org gemäß der neuen DSGVO registrierte Mitglieder der deutschen Animations- und VFX Community können sich für die Teilnahme an den Screenings bewerben.

 

Read more

The Academy of Motion Picture Arts and Sciences has voted 14 students as winners of the 52nd Student Academy Awards® competition

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences has voted 14 students as winners of the 52nd Student Academy Awards® competition. This year, the Student Academy Awards competition received 3,127 entries from 988 colleges and universities worldwide. The 2025 winners join the ranks of such past Student Academy Award® winners as Patricia Cardoso, Pete Docter, Spike Lee, Patricia Riggen and Robert Zemeckis.

The presentation ceremony for the annual international student film awards will be held on Monday, October 6, at 6:00 p.m. ET. It will take place this year at the Ziegfeld Ballroom in New York City during the New York Film Festival, in partnership with Rolex.

The winners are (listed alphabetically by category):

Alternative/Experimental
Mati Granica, “flower_gan,” London College of Communication, United Kingdom
Xindi Zhang, “The Song of Drifters,” University of Southern California
Vega Moltke-Leth, “Without Perfection,” University of Copenhagen, Denmark

Animation

 

Sofiia Chuikovska, Loïck du Plessis D’Argentré & Maud Le Bras, “The Shyness of Trees,” Gobelins, France

https://www.gobelins-school.com/gallery/shyness-trees

 

Tobias Eckerlin, “A Sparrow’s Song,” Film Academy Baden-Württemberg, Germany

Main

Lucas Ansel, “The 12 Inch Pianist,” Rhode Island School of Design

https://www.lucasansel.com/

 

Documentary
Rebeka Bizubová, “Confession,” Academy of Performing Arts in Bratislava, Slovakia
Jane Deng, “I Remember,” New York University
Tatiana McCabe, “Tides of Life,” University of the West of England Bristol, United Kingdom

Narrative
Meyer Levinson-Blount, “Butcher’s Stain,” Tel Aviv University, Israel
Jan Saczek, “Dad’s Not Home,” Krzysztof Kieślowski Film School, Poland
Zefan Wang, “Kubrick, Like I Love You,” Columbia University

First-time honors go to students from the University of Copenhagen, Gobelins, Krzysztof Kieślowski Film School, Academy of Performing Arts in Bratislava, London College of Communication and University of the West of England Bristol.

Gold, silver and bronze placements in the four award categories will be announced at the ceremony. In addition, winners will have a robust weekend of education programming, networking opportunities and exclusive access to Academy members to support their career advancement.

All Student Academy Award-winning films will be eligible to compete for the 98th Oscars® in the Animated Short Film, Live Action Short Film or Documentary Short Film category. Past winners have gone on to receive 69 Oscar® nominations and have won or shared 15 awards.

The Student Academy Awards were established in 1972 to provide a platform for emerging global talent by creating opportunities within the industry to showcase their work.

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ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is home to a global membership of more than 11,000 of the most accomplished film industry artists and leaders. The Academy recognizes and celebrates all aspects of the arts and sciences of moviemaking through renowned awards for cinematic achievement, including the Oscars®. With the largest film-related collection in the world, the Academy is a leader in the fields of conservation, preservation and exhibition of film-related objects and materials. Through its Academy Museum of Motion Pictures, the Academy presents powerful exhibitions, screenings and programs about cinema’s past, present, and future. The Academy also inspires young artists and creates opportunities for underrepresented communities to engage with the film world. Across all initiatives, the Academy connects global audiences – its members, the film industry, and film fans – through their shared passion for making and watching films.

 

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