30. Oktober 2018 Johannes Wolters

Designing the Stop-Motion Sets of Aardman Animation’s Early Man!

Even though a stop-motion animated film is shot at a smaller-than-life scale, the sets and environments that need to be built for its clay characters can still be massive. Adam Savage enters the production design room at Aardman Animations to learn how Early Man’s sets are blueprinted, prototyped, and then finally built to be filmed, one frame at a time.

Schreibe einen Kommentar

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind mit * markiert.

Zur Werkzeugleiste springen